Sunday, 20 February 2011

This Week's Gigs: 21st - 27th February

We've been a bit quiet and crap this week, sorry. Our excuse is that we've been out at loads of gigs instead of sitting at home writing about bands, so let us off this time, please?
Here's what is going on this week, most of which I can't afford to go to.
As usual if I miss something then no one told me about it. You can let me know about any upcoming gigs by emailing gigs@ayetunes.org.uk and I won't miss them out.

Monday:
French Wives. LOVEmusic, 5pm, free.
French Wives release their first EP Feel Safe Small on Monday, and celebrate with an instore gig at LOVEmusic (the shop formerly known as Avalanche for those not paying attention) at 5pm.

Tuesday:
theapplesofenergy. Mono, free.
Wolf People, Figure 5, Hidden Masters. The Captain's Rest. (Tickets)

Wednesday:
The Shape of Folk To Come: Shambles Miller, Shooting Stansfield, Lovers Turn to Monsters. Slouch, free.
Pete Lawrie, Bear Bones. The Captain's Rest.

Thursday:
Read a wee bit more about this, and the Edinburgh gig on Saturday here.
This should be a good one, the line up is ace. Catch some video previews of the bands involved here.
2:54, Johnny Reb. The Arches
Cheap tickets available if you contact Johnny Reb (johnnyrebmusik (at) yahoo.com), tell 'em I sent you
Blonde Louis, The Corleones, The Replay, The Boy Next Door. King Tut's (Tickets)

Friday:
Visit the SAMA website for all the details, and to vote.
Pin Ups Ladies Night. The Flying Duck.
You should know by now that we love the Pin Ups crew. As usual there's an excellent selection of DJs along with live sets from Hannah Peel, Any Color Black and Boycotts. All the details and tickets on the Pin Ups website.

Saturday:
Burnt Island. Avalanche, Edinburgh.
Free instore gig as part of Chaffinch Records taking part in Avalanche's Scottish Label week.
Night Noise Team. Cabaret Voltaire, Edinburgh.
Night Noise Team also happen to have a brand spanking new website, go have a look.
This will also be ace. Being poor is rubbish.

Sunday:
More aceness with a trio of bands we really like round here.
John Knox Sex Club. Captain's Rest



Thursday, 17 February 2011

Help Those Meddling Kid Canaverals

Kid Canaveral are going to America. However since that isn't cheap, they need a little help from you to do so.

The band are playing two fundraiser shows next week to help raise funds (well, obviously) to get them over to New York and Austin for the South By Southwest music festival. Considering how well they did in the Aye Tunes Readers' Poll at the end of last year I know you lot like them as much as I do, so go along to one of the gigs, and take some pals, aye?

On Thursday 24th February Kid canaveral play Stereo in Glasgow, with support from Randolph's Leap and Martin John Henry. Tickets for that one are available here.

Then on Saturday the 26th they play in Edinburgh, at The Wee Red Bar. Support on that night comes from The Last Battle and Blue Sky Archives. Tickets available here.

They also have a rather ace new video for We Only Went Out To Get Drunk Last Night which you can watch below.




Monday, 14 February 2011

Valentine Treats

Alternate names for this post included "Any excuse to use that card from The Simpsons" and "Oh God, Peenko is going to kill me again"

As you may have noticed from the screaming red shop window displays, lovey dovey couples, and muttering bitter single people (Hiya!) it is apparently Valentine's Day. We at Aye Tunes could care less about it, but some bands have gotten into the spirit and are giving away some free music, so we'll gladly tell you about that.

Spring Offensive are offering a new acoustic EP for one week only. It is available on a pay what you like basis. You can have it for free if you want, but if you feel like splashing out you can get a credit on their next release if you pay more than £4. Get it over at their website.

de Selby is Alistair Beith and some of his fellow Second Hand Marching Band/Benni Hemm Hemm/Tannahil friends, and they have a one day only free download, a cover of Prince's "If I Was Your Girlfriend". You can find it over on Bandcamp. While you are there check out the recently released Sisyphus EP, which I've forgotten to mention here until now. It is really rather good though.

Taken At The Flood I know nothing about, other than there's a Valentine download from them (Him? Not sure) over on Bandcamp. There's an EP up for grabs there too, and Taken At The Flood will be supporting the excellent Trapped Mice at their upcoming Edinburgh EP launch gig, alongside the also excellent Loch Awe on the 5th of March at The Wee Red Bar.

The Belle Hops have made their wee EP free for this week only as a special treat. Isn't that lovely of them?

Karlyn King is offering up a free download too. Nothing to do with Valentine's Day, but I might forget to mention it later, so it is getting included here anyway. Blue Painted Gates is a collaboration with Bill Wells, and can be found here.

Maple Leaves left their entry till late, but we'll forgive them since it seems churlish to complain about getting really good stuff for free. They've bundled up two of their previous single for a free EP, titled Threads. If like me you already have the singles then it is still worth a look, since the EP includes a previously unreleased Miaoux Miaoux remix. You can download Threads on Bandcamp.



Sunday, 13 February 2011

This Week's Gigs: 14th - 19th February

Last night the Aye Tunes team (all one of us) made a rare venture through to Leith for the Come On Gang! album launch/final gig. Pretty sure I had more fun than is medically safe. If I happened to talk to any of you from roughly 10pm onwards I apologise for everything I said. More on the album to come this week, but for now I'll just suguest that you go buy it. You can get Strike a Match from iTunes just now.

Now, on with this week's gigs.

Monday:
Don't take your partner out for dinner, everywhere will be mobbed. Better options for spending your night include:

Tuesday:
Tuesday is apparently a good night for the poor, or the cheapskates.
Glasgow Slow Club: Withered Hand, Alan McKim. Bloc, free.
Cheer. Mono, free.

Wednesday:
Aidan Moffat's Valentine Revue. Oran Mor.
Aidan Moffat will be doing three sets - one solo, one with Bill Wells, and one with The Best-Ofs.
Darkstar. Nice N Sleazy (Tickets)
I'm always a wee bit disappointed when I see this name because for a minute I think they are mid 90s group Dark Star. I loved Twenty Twenty Sound. Sleazies might still be shut on wednesday, if it is I'll let you know where the gig moves to.
Detour. Bloc, free.
Stanley Odd, Kitty The Lion. The Captain's Rest. (Tickets)
The Last Battle, Letters, Oso Street Outreach. Henry's Cellar Bar.
Letters launch their debut single. As always, we really like The Last Battle.

Thursday:
Launch gig for Feel Safe Small, the new French Wives EP. More on the EP coming up during the week, but until then you can pre-order and hear a song from it here.
Must confess I know next to nothing about The Black Atlantic, but the levels of love we have round here for Blue Sky Archives and Where We Lay Our Heads borders on the worrying and stalkerish.

Friday:
We like Black International a lot too.
Barmellodie: The Scottish Enlightenment, Randolph's Leap, 30 Pounds of Bone. Bloc, free before Midnight.
Armellodie hijack Bloc again, with another rather splendid selection of bands.

Saturday:
If we had some kind of "gig of the week" award then this one might just come out the winner. Belated Glasgow launch gig for the Gerry Loves Records split 12" featuring all the folk playing this gig. You can buy the 12" here. I did and I don't even own a record player. It comes with downloads though, I didn't just go mad and buy something I can't listen to.
The second Ides of Toad gig, which also has an ace line-up.

ALSO!
The Margins Book and Music Festival is running over a few days at the end of the week. I'll quite shamelessly copy/paste the info given by the lovely people at Cargo Publishing.

Over four days, seven shows and over 30 performers, Margins brings you the biggest names in Scottish literature, like Liz Lochhead, Tom Leonard, Ewan Morrison, Doug Johnstone, Alan Bissett and Rodge Glass, to brand new talent and collaborations with the most popular regular literary nights in Scotland, including Words Per Minute, Golden Hour and Seeds of Thought.

To cap it all off, the final night has music from the critically acclaimed Withered Hand, joined by Burnt Island and Where We Lay Our Heads.

Here's all the events, with each costing a mere £1. Yes, one pound. Bargain. Afternoon shows start at 4pm, evening shows at 7pm, all taking place in Stereo. Both the venue and the sound, I presume.

THURSDAY 17TH FEBRUARY

Evening:

MONOSYLLABIC-MARGINS OF ERROR POP-UP THEATRE

_________________

FRIDAY 18TH FEBRUARY

Afternoon:

SEEDS OF THOUGHT SPECIAL


Evening:

LIZ LOCHHEAD ALAN BISSETT

ANNELIESE MACKINTOSH

_______________________

SATURDAY 19TH FEBRUARY

Afternoon:

GOLDEN HOUR SPECIAL

(RYAN VAN WINKLE NICK HOLDSTOCK ERICA DUFFY

SMALL FEET LITTLE TOES BILLY LIAR TOBY MOTTERSHEAD)

Evening:

RODGE GLASS DOUG JOHNSTONE KIRSTIN INNES

_______________________

SUNDAY 20TH FEBRUARY

Afternoon:

WORDS PER MINUTE SPECIAL

Evening:

TOM LEONARD WITHERED HAND

EWAN MORRISON BURNT ISLAND

ALLAN WILSON ANDREW RAYMOND DRENNAN

WHERE WE LAY OUR HEADS




Wednesday, 9 February 2011

Guest Blog: Visiting the Isle of Lewis with Allan Kennedy

Hello, I'm Allan, I play bass for Mondegreen and Rustic City Fathers and I'm from the Isle Of Lewis.

Coming from an island off the northwest coast of Scotland presents a pretty immediate barrier to success that mainland artists don't really have to worry about. The largest expanse of water most Glasgow musicians have to worry about is the Clyde. But regardless of this The Boy Who Trapped The Sun and dotjr have both done well for themselves and fairly recently been signed to Geffen and Polydor respectively. I'm looking forward to hearing more teuchtar accents on the tv outside the realms of religious outrage and patronising documentaries!

Anyway, I thought I may be better dedicating the majority of this to three bands and three solo artists from Lewis you're less likely to have heard of (though do check them both out if you haven't done so already.)

Can't Swim

From that sort of Reuben/Pulled Apart By Horses/and such style that we all love so dearly. They're a fantastic live band who I've enjoyed every time I've seen them. Orphans is a great tune and they've been playing on Introducing... a few times now.

Our Small Capital

Some lush indie folk that sounds a bit like early REM without all the mumbling. Wonderful tunes about dour things, as it should be.

Murderers Of Love

I've previously been (to be fair quite rightly) slated for saying they sound like Suede (which they don't,) so I'll stick with saying they come from a fine tradition of miserablist Scottish rock with songs about having a terrible time at indie discos and worrying that someone you like has terrible political opinions. Universal stuff!

iglue

A chap from Cromore (indeed he proposed the 2nd best covers band name ever. Faith Cromore, 2nd only to Kroftwork) that plays Low-esque folky tunes about the ocean, the island and other such things.

Ali Murray

He probably won't thank me for this, but I was in a metal band with him as a teenager (back when I looked like the Dulux dog.) Sounding much different these days, I think the bio on the myspace does a better job of describing his music than I could.

Iain Shaw

In the last year or so he's released two full albums of acoustic covers of a big variety of songs. You can hear a fair few of these on the myspace (particular favourites being Drunk Girls and Little Boxes) but he also has a whole swatch of great originals. He's playing a free gig on the 28th in Mono this month as well.

On top of this there's also the Sounds in the Grounds festival run by the WIN trust which has previously had the likes of The Phantom Band and Malcolm Middleton headling it and hosting various other great bands from across Scotland. A great wee festival in a pretty unusual place (and the weather has ususally, though not always, turned a bit better by the time it starts.)

There's also Honcho Recordings/Promotions run by Innes Morrison and Jori Kim which released a series of compilations, EPs and albums that really helped to kickstart the music scene on Lewis. If you can track the compilations down they're well worth a listen for the diversity of stuff that's appeared on the island (as well as to hear some old tracks from The Boy Who Trapped The Sun and dotjr's previous band if you're a fan of themselves.)

There's a whole load of other folk I haven't covered here, but hopefully that's given you interest enough to start clicking through links to other Lewis artists to see what else is going on up there.

Thanks Allan for the guest blog. If anyone else from outside of Glasgow or Edinburgh wants to let us know a bit about what is happening musically in their neck of the woods drop me a line at jim@ayetunes.org.uk, I'd love to know.
Mondegreen play Bloc in Glasgow on Thursday night, I highly recommend going, they are a brilliant band.





Tuesday, 8 February 2011

Guest Blog: Have You Ever Heard Of The Sycamores?

Have You Ever Heard Of The Sycamores?

I have. They were awesome. They’ve split up now. You’ll never see them. Sorry. Your loss. The truth is that of course you haven’t heard of The Sycamores - despite being a band of immense talent and skill they touched only a thin wedge of humanity. I think they played maybe one or two gigs outside of their native Cornwall, and that was it.

There was some great music in Cornwall, still is. Much of it you will never get a chance to hear. There are some other great musical hubs as well, look at Liverpool, Bristol, Brighton, Nottingham - all of which have a wealth of brilliant unsigned bands, just as many as Glasgow. However just like Glasgow, most of these bands will never make it big and will split up before anyone outside their local scene knows their name.

Overall the message of this is pretty pessimistic. Outside of this city there is another world of musical talent, most of which you will never hear of or see.

However the truth of the matter is you have only yourself to blame - at least in part. Most bands worth their salt (what does that phrase even mean?) will at some point pass by our way, and most of them are ignored. Largely it’s down to how the Glasgow music scene works - a system of bands promoting their own gigs - but that’s another rant. More often than not touring acts are placed early on and find themselves playing to nearly empty rooms. I have seen the likes of I Say Marvin, Pause.Break.Riot! and even the soon to be epic Max Raptor play in Glasgow to quiet rooms. (Two of these bands have subsequently split up so you’ve missed out there as well).

Being a band - especially a touring one is shit. I travelled with one a few years back. It’s crap. You spend a fortune, sleep in a freezing van in December in Arbroath (actually happened), risk your van being broken into and your stuff going missing (actually happened), and you find yourself travelling 200 miles to a city you don’t know to find an empty room. It makes you wonder what the point is.

Most of the time promoters put these bands on first as they know they won’t bring many people, which only adds to the punishment for something which isn’t really their fault. So what is the point on going on tour? To visit Kelvingrove Museum?

Febuary 25th sees Popical Island, the Irish record label play a one off gig in the 13th Note - you should go. On the 1st March the superb Let’s Buy Happiness play at Captain’s Rest - you should go there too. Or at very least check them out, go listen on their Bandcamps and see whether you like what you hear. It is a dear hope that these up coming events don’t pass like so many good touring bands, with Glasgow ignoring it in favour of seeing a local act they’ve seen a million times play once more.

This is nothing against the Glasgow music scene. Glasgow has a superb talent to populous ratio, possibly finer than any other city. But like it or not, most unsigned bands in Glasgow you will have a few chances to see before they split up after a few years and all get real jobs. These touring acts may only ever play here once.

This is one of the things we’ve often sort to address at PGTR. We set out especially to have no geographical bias. It’s not where you’re from, it’s what you play. We try wherever possible to play bands that are completely unheard of from across the UK. You can appreciate good music no matter where it’s from.

We’re about to start doing live events as well. We’ve gone through extra efforts to try and make life for touring bands better. Putting them on later on the bill even if they won’t bring that many people, covering their travel costs, giving them a floor to sleep on. I genuinely believe we can have a better life for touring acts without compromising on the rest of the gig.

As an extra guide to some of the acts I’m talking about, check out our first live event. We came across Natalie Holmes and Tom Clarke whilst sitting on bandcamp. They’re officially two separate acts, but they play a lot together. We stumbled across by sheer accident a song by Natalie Holmes called Shooting Zombies and were blown away - a superb mixture of wit and beauty all rolled into this youthful love affair. Listen to it. You’ll be in love.

So many bands have this idealised vision of the Glasgow music scene. Places like Tut’s and a history of bands from Franz Ferdinand to Belle & Sebastian make this an almost must stop place to play on your first UK tour, so let’s make it worth their while.

I am not encouraging you to totally break the mould and give up on your own scene - that’s important too. But every so often, instead of playing it safe and seeing which band you know is playing this week, go onto the listings for the 13th Note or Captain’s Rest and see what bands you don’t know - then google them and find a MySpace / Bandcamp / Soundcloud and then listen. If you don’t like it, don’t go. If you do, go, enjoy the music and say hi afterwards. It’ll make their day.

I don’t think Glasgow is an exception. I imagine similar things happen when we send our unsigned joys off to other cities around the UK. But let’s set our standards high, go the extra mile, and go see bands because we found this one song by them on MySpace that was totally awesome.

To finish off. Here are a few far away bands that I haven’t booked for a gig yet. (That way I can claim neutrality).

We Are The Grand - from Liverpool - a superb fast paced indie sound. Their music flies at the pace of lightning. Like driving as fast as you can down the motorway and trying to be caught by every speed camera on the way just because flashes are cool. Raucous, in your face, and yet sublime.

Max Raptor - from Birmingham - Sitting on the fence between indie and rock they attract an odd crowd. They make you want to jump, mosh and dance at the same time. It’s an odd combination. But despite the weird movements you’ll be pulling, the slick riffs, and precise lyrics will lead to you having a very good night.

Marble Fairy - from London - Superb little Electro act. Some of the catchiest hooks you’re ever likely to get a chance to hear, combined with powerful vocals, it creates an emotional party music. Their music hasn’t reinvented the wheel, they’ve just taken the classic wheel design - you know round - and made it work really really well.

The Purgatory Players - Sheffield - Whimsical dream like music, each song is like an emotion in a microscope. Analysed and then drawn out so that every painful element of their chosen feeling can be analysed and brought to life. This growth and multiplication of sentiment built up through some wonderfully well written lyrics and great musicianship creates an extreme depth for you to bury yourself into. Wonderful music to bring a smile to your face when there is a grey sky or the world is ending.

Happy googling. Enjoy music.

George Pearson is one of the presenters and curators of Pop Goes The Revolution on Subcity Radio. You can find out more about the show at www.popgoestherevolution.com

Since George took time to write a guest blog for me, it would be very rude not to include a plug for the upcoming Pop Goes The Revolution gig. It takes place on March 3rd at The Captain's Rest, with Natalie Holmes and Tom Clarke, White Heath, We See Lights and Mitchell Museum playing live. Go on, have a wee listen.













Sunday, 6 February 2011

This Week's Gigs: 7th - 13th February

It is one of those weeks that sends wallets, and for the drinkers their livers, running for cover before they are thoroughly abused. I'm doing this quite quickly too, so I suspect I've missed loads of gigs, including Bright Eyes, The Hold Steady and 6 Day Riot.

Tuesday:
Glasgow Slow Club: The Last Battle, Very Well. Bloc, free entry.
The Last Battle are fabulous. Very Well are difficult to find a link for.


Wednesday:
Lovely.

Thursday:
UWS Refreshers Festival. Paisley Student Union. £2. 6pm start.
Featuring Flood of Red, Fatherson, Carnivores, Marvel Heights, Skies Fell, Pacific Theatre, Dilectrics, Aaron Wright, Michael Cassidy, Little Fire, Debbie Kate, Calum Muir and Jamie Keenan. A few bands in there that I don't really care for, but also more than a couple that we really like round these parts. All for the low price of £2.
Mondegreen. Bloc, free entry.
Luring me out of Paisley and away from the gig above however will be Mondegreen, one of my favourite wee bands around. Seriously, if you are looking for something to do on Thursday night I can't urge you strongly enough to put this in your plans.

Davey Horne (The Ray Summers), Selective Service, The Foundry Men, Uklreign. Maggie Mays.
Dylan Uncovered. The Voodoo Rooms, Edinburgh

Friday:
Conquering Animal Sound. Captain's Rest. (Tickets)
Conquering Animal Sound have a bloody wonderful album out on Monday, which I reviewed last week. Friday and Saturday sees them finish off their UK tour first with this Glasgow gig, then an Edinburgh one which I'll list below. I'm sure I had a note of who is supporting too, but I seem to have lost it.
Launch gig for Ryan Bisland's Vultures album, which I quite fancy hearing.

Saturday:
Come on Gang!, Over The Wall, Cancel The Astronauts. Pilrig St Paul's Church, Edinburgh. (Tickets)
Come on Gang! launch their debut album, Strike a Match, while at the same time playing their final gig before splitting up. They've roped in some excellent supports too. Also in a fun bit of symmetry as Come on Gang! played the final Aye Tunes Vs Peenko gig there will be DJ appearances by Peenko and me at this, the final Come on Gang! gig. Team Aye Tunes may also be looking for a floor to sleep on. Just saying...
Conquering Animal Sound, Miaoux Miaoux. Sneaky Pete's. (Tickets)
The Edinburgh gig I mentioned above, with the added bonus of the always fab Miaoux Miaoux.

Sunday:
Remember Remember, Tangles. Nice N Sleazy.



Tuesday, 1 February 2011

Album Review: Conquering Animal Sound - Kammerspiel

Regular readers might recall that I have quite a love for Conquering Animal Sound, with their debut album being rather highly anticipated round these parts. Now the release is upon us it is time to see if it lives up to my hopes.

For those of you short on time that don't want to read this whole thing, the short answer is yes. Hopes lived up to, expectations not only met, but surpassed.

Slightly longer version? If you insist. There's an awful lot going on throughout this album, layers upon layers of instruments, electronics, vocals and all sorts of other noises, but at no point does anything sound cluttered or messy. In fact every single sound seems totally organic and essential. Even with a million things going on the songs can seem sparse and bare, like a tree stripped of its leaves, or full and warm, like a hug from that friend you are seeing for the first time in ages. Previous single Giant is a great example, sounding at time huge, almost overwhelming, before swiftly and beautifully changing into something tiny and minimal.


Put quite simply this is pretty much an astonishing, beautiful sounding album that shows that the previously released singles (Giant, Wildthings and Bear, all included here) were far from flukes. There is nothing on the album weaker than those singles and the word filler doesn't appear to be in the Conquering Animal Sound vocabulary. Kammerspiel is a fantastic album to get lost in.
Everyone has their songs and records that come in useful after a bad day, when needing to clear their head, or to put them in their happy place. This is one of mine now. Worth the wait? Goodness yes.

Oh, I almost forgot to make the required comparison between Anneke Kampman and Bjork's voices, which it seems all Conquering Animal Sound reviews must contain. They aren't really that similar, but would probably overlap somewhere on a Venn diagram.

At the start of last year The Unwinding Hours came along with an impressive debut album and threw down a gauntlet to everyone for the rest of the year. With Kammerspiel Conquering Animal Sound have done the same. If there's many debut albums better than this, in fact many better albums at all, then this will be a fantastic year for music.

Kammerspiel is released by Gizeh/Mini50 Records on February 7th. Order it from the Gizeh records shop here. The album is also available on eMusic, iTunes HMV and Amazon
.

Conquering Animal Sound: Website - Facebook - MySpace

Listen/free download - Ira


Conquering Animal Sound are off on tour for the next couple of weeks, dates below:
February 2nd - HULL | Adelphi
3rd - YORK | Basement (Tickets)
4th - LEEDS | Packhorse
7th - LONDON | Slaughtered Lamb (Tickets)
8th - NEWCASTLE | Head of Steam
9th - DUNDEE | Doghouse (Tickets)
10th - ABERDEEN | Snafu
11th - GLASGOW | Captain's Rest (Tickets)
12th - EDINBURGH | Sneaky Pete's (Tickets)



Monday, 31 January 2011

Gig Review: Twin Shadow

Twin Shadow
The Captain's Rest, Glasgow
27th January 2011
Review by Stephen Donkin

Sometimes a single song can remind why you spend so much time hunting around the interwebs for new tunes, and drop all your available cash on importing 7” records from Canada, and suffer the dodgy looks from your boss as you slope off early to go to another midweek gig on the other side of the country. The opening song of Twin Shadow’s set at the Captain’s Rest on Thursday was one such song.

On record, Shooting Holes In The Moon is a sleek, wiry little pop song bathed in soft eighties synths a bit of funky bass, and mournful vocals singing a gorgeously nonchalant melody. Live, it was absolutely transformed into something altogether more muscular, loud, fast and…heavy. The tiny sweaty walls of the room were at bursting point, full with people expecting a bit of a bop, a wee singalong and to hear some songs of one of the best albums of the past couple of
months. What they got was an absolute tour-de-force in how to translate your record for live performance.

There was always a bit of suspicion about Twin Shadow, which is essentially one man, George Lewis Jr, that their popularity is as much a product of a massively popular man, who happens to be a great songwriter, than it is a result of a great songwriter becoming popular. However, the humility was written all over his face as he received a rapturous applause after every song from a clearly adoring audience. It became a bit of a love-in to be honest, with George reiterating at
every opportunity what a great gig it was, and the crowd reciprocating with gushing shout-outs.

Of course, there was more to the set than just the first song, as excellent as it was. The rest of the gig played out like a mini greatest hits set, with Castles in the Snow, Forget and Slow superseding their recorded versions in much the same as Shooting Holes in the Moon did. So let it be a lesson to all those bands out there who are obsessed with replicating every detail from their recordings: sometimes the song is just enough. And if it’s not, well….draw your own conclusion.

Twin Shadow: Website

This was a guest post by Stephen Donkin. Stephen is a member of Birdhead, who release an EP, Talons, soon. Thanks Stephen!



Sunday, 30 January 2011

This Week's Gigs: 31st January - 6th February

Gig guide time, with a bare minimum of chatter from me.

Monday:
Redwings, Now Wakes The Sea, Ryan Joseph Burns. The Captain's Rest. (Tickets)
Redwings feature The Seventeenth Century's Andrew Truscott, Now Wakes the Sea featured here during our Christmas songs, and Ryan Joseph Burns, also of The Seventeenth Century, is just plain fab. Good way to spend a Monday night.

Wednesday:

Thursday:
Friction Burns - The Alternative Burns Supper. Pivo Pivo, £5.
Swing by Facebook for all the details on this one, as the list of people taking part is a lengthy one!

Friday:

Saturday:
Launch night for the new Miniature Dinosaurs EP, and they've assembled a pretty ace line-up for it.
Another launch night, this time for Zoey Van Goey's second album. Support comes from Malcolm Middleton's new thing, Human Don't Be Angry.