Gig Tomorrow, Plug Plug Plug

We didn't have time to change the poster

It's time, once again, to remind you that I'm doing stuff. Tomorrow (Saturday Jan 26th, in case you aren't reading this on the day it was written) is the third of the gigs put on by myself, Neil from Scottish Fiction and Lloyd from Peenko, with the witty and creative Scottish Fiction Presents: Aye Tunes Vs Peenko title. Suggestions for snappier promotional titles welcome. I suggested SPAFT, since it includes the initials from all our blogs. This suggestion was, correctly, dismissed.

We're moving to The 13th note for this one, with the fun kicking off from around 8pm. It'll only cost you six pounds to get in.

Here's what you'll get for your money.

Black International - stepping in at the last minute for the sadly unable to appear King Post Kitsch, the Edinburgh two piece gathered rave reviews for their recent King Tuts gig, so come catch them before they get huge egos and demand a rider that would bankrupt me! They also happen to be a huge favourite of mine, so I'm happy to have them back.


Plastic Animals - another big favourite round here, and another band who I apparently haven't robbed blind or offended, since this will be their second gig with me involved. This lot make lovely noise.


The Yawns - and a band I've not put on before! Their debut album caught a fair bit of attention when released last year, and this gig is the last on The Yawns's UK tour to promote the launch of the album on lovely, shiny vinyl. You'll be able to hear lots of songs and buy a record if you wish.



Hugs - lurk near Neil, Lloyd or myself and chances are you'll get hugged. Especially later in the night when we've been drinking. Don't let that put you off though.

The Skinny said "go find a new favourite band" about the gig, and who am I to disagree? Well, these bands are already amongst my favourites, but that's not the point.

So that's Saturday the 26th, at The 13th Note, doors open at 8, and six quid in.

33.28 - Going Solo

Near the start of this self indulgent ramblefest that has been 33 I wrote about the Aye Tunes Vs Pennko gigs. Returning to that self indulgent theme, today I'm going to write a wee bit about the gigs I've put on by myself, which have imaginatively been titled Aye Tunes Presents. I'd have shortened that to ATP, but I'm pretty sure there'd be objections to that.

#1 - 21st January 2011, Stereo
Goodness, that feels so long again. I suppose it is quite a while ago, nearly a year and a half in fact. I'm good at sums, me. For my first solo attempt I decided to pick some of my favourite animal named bands to play. Packets of Animal biscuits were given away on the door to anyone who wanted them, along with some home made compilation CDs I put together. Take up on the biscuits was surprisingly low, and I ended up eating many bags of them over the following weeks. We even raised a few quid for charity with an impromptu door collection.
Boygirlanimalcolour - Batman Forever
Trapped Mice - Waving and Pointing
Kochka - Boooones
Trapped Mice have some gigs coming up, and a really good debut album in the can, awaiting release. Kochka made one of my favourite albums of last year, and continue to scare me a bit with their new video.

#2 - The Aye Tunes Birthday Bash, 17th June 2011, The Flying Duck
A great idea in my head, a terrible idea in practice, particularly as the gig ended up being put together at quite short notice. Don't put on a gig for your birthday kids, it's stressful and expensive, at least it is if you are me. The bands were loads of fun though, and some people bought me beer, so it wasn't all bad.
The Big Nowhere - I'm In Love With a Girl
Verse Metrics - Modern Sleep
Black International - Destruct_o_
The hangover I had from this was hilarious, but I learned not to do any more birthday gigs. I didn't learn not to do short notice gigs though, as we'll see soon.

#3 - The Springwell EP Launch, 1st July 2011, Stereo
I'd sounded out The Last Battle a bit before this about doing a gig, but couldn't quite get anything worked out. When it came time to launch their latest EP I jumped at the chance to have them on, and managed to lure Loch Awe with them, giving them their first gig in Glasgow and me my first chance to see them. The always entertaining Second Hand Marching Band rounded out the line up, making sure that at least there were plenty of people there by virtue of their vast number of band members alone.
Loch Awe - I Will Drift Into 10,000 Streams (Demo)
Second Hand Marching Band - Love Is a Fragile Thing (Sleazy Version)
The Last Battle - Viv Nicholson (Acoustic)
Loch Awe have a few gigs coming up. They play Stereo in Glasgow this Saturday as part of the Chem19 showcase night, then next Saturday they play with The Bad Books, The Spook School and The New Fabian Society at Edinburgh's Wee Red Bar for some blogger's gig. Can't recall who, I'm a bit Indifferent.
The Second Hand Marching Band claim they'll be releasing three new albums towards the end of the year, a sad one, a pop one, and an Icelandic one.
The Last Battle released a new single just this week. Hope Is Gold is available from Bandcamp, and there's a launch gig on June 22nd at Pilrig St Pauls Church in Leith.

#4 - 28th September 2011, The Captains Rest
Arrange and promote a gig in roughly two weeks? Only a fool would agree to such a thing. This fool. So it was that the following line-up was rather hastily assembled, with no real concession for genre and styles. Given how quickly I put it together and with the bare minimum of promotion I was able to give it in that time, I'm happier with the way this turned out now than I was when I looked in my wallet at the end of the night. First Glasgow gig for The Spook School too. I've got a habit of putting on Edinburgh bands I want to see in Glasgow rather than, probably more sensibly, just going to Edinburgh to see them.
Kevin P. Gilday - Dear Green Place
Shambles Miller - Rapture
The Spook School - History
The Sea Kings - The Nitrate In My Blood
Shambles Miller has a new single, Confessions, out soon. I'll try and get back to that in time, but in case I forget to mention it later, there's a launch gig for the single at Vespbar in Glasgow on July 6th.
The Spook School play this Sunday at The Captains as part of the first Scottish Fiction gig, and in Edinburgh next at the Tidal Wave of Indifference gig mentioned above.
The Sea Kings play King Tuts in July as part of Summer Nights.

#5 - 3rd May 2011, Stairway
I had no real intention of putting on another gig any time soon until Exit_International got in touch with me. The chance to put on a band I really like, and to do something a bit different by putting on a band from outside the central Scotland bubble was too tempting to resist. What followed were many headaches, a catalogue of errors, from venue problems to a collosal screw up with posters, which all added up to making this a bit of a stressful affair, and the end product wasn't as good as it should have been. I'm still a bit disappointed about the way this one came out and wish it could have been better, but it's a bit late to dwell on that now. The bands were ace though.
Supermarionation - Choosing My Religion
Wrongnote - Heart of a Rat
Exit_International - Glory Horn
The Supermarionation song above is hot off the press, having just been released for free download at lunchtime today. Refreshingly Supermarionation released it without seven announcements of announcements of announcements in the run up, just slapped it on Bandcamp and told us it was there. Download the single & b-side for free here.
Exit_International will be spending my birthday in Japan, on a mini tour with Ginger Wildheart. No, no, of course I'm not jealous.

I had rather hoped to close this post with details of the next Aye Tunes gig, because I never learn my lesson and manage to stop putting them on, but the details aren't quite sorted yet, so I'll need to tell you later. It's a wee bit of a fight getting it organised at the moment, but it's a fight I'll win soon.

33.11 - Obvious Post Theme Is Obvious

Alternate title: Where's the Beef?

Jeepers, one third of the way through already, so if playing this post on your turntable remember to set it to 33⅓ instead of 45rpm.

Anyway, yes, day eleven means I couldn't resist the obvious option of turning the volume up a bit.
Here are a selection of some mighty fine bands making lovely loud noises. Also, see, I do like music made post 1998.

A Fight You Can't Win - Shout First/Loud Words
Black International - Destruct_o_
Bronto Skylift - Gameboy
Carnivores - Five Go Mad On Mescaline
Crusades - Pseudo Andro
Fat Goth - Willie Wonka and the Charlie Factory
Fat Janitor - Two Nights in Hell
Holy Mountain - Gunner (EP version, so Chemikal don't shout at me)
Hunt / Gather - Cementalist
No Island - Fallow Years
PAWS - Winners Don't Bleed (Song, by Toad Session)
What the Blood Revealed - To Travel Deadly Ground

A quick diversion south for my Welsh buddies:
Exit_International - Glory Horn

And finally, gone but not forgotten:
You Already Know - Let's Fuck

Track By Track: Black International - In Debt

One of my favourite albums of last year, Black International's In Debt, has been picked up by Spiralchords Records, and was re-released on Friday. For those that missed it first time round here's a repeat from last year, when Black International's Stewart Allen shared some behinds the scenes secrets about the songs on the album.

Thanks to the magic of Bandcamp embeds you can listen to the whole album as you read. If you like it, buy it. Now, read on to learn about the mysteries of the Brazilian Trilogy, and other things.

A Million Mouths

This song probably had the longest gestation period of anything we’ve written, as I was terrified that I couldn't think of any lyrics for it, and always felt ill whenever I contemplated doing them. I think we started rehearsing this in 2008 before temporarily abandoning it, but the general chord sequence may have been kicking around for two or three years before that. We finished it a week before recording started. Nail biting, etc.

Destruct-o-

I can’t remember much about the process of writing this one, but the basic structure was finished before I took it to the rest of the band, which is quite unusual for us these days. Believe it or not, we had a sort of Sly & the Family Stone thing in mind when we were arranging it, which I think shows in the rhythm section. Imagine there are trumpets and grunts on it and you’ll see what I mean.

Dread (Excerpt)

The ‘excerpt’ in the title refers to the introduction, which was originally a complete song but wasn't very good, so we binned most of it and bolted it onto another song. The first of what I’ll call the Brazilian Trilogy, as it was written on a little Spanish classical guitar I got from a charity shop while I sat around trying to copy Jorge Ben.

The lyric idea owes a little bit to McCarthy’s Charles Windsor, but doesn’t have quite the same level of joyous nose thumbing. I’d say it was supposed to be ‘darkly comic’, if I were a bit more of a twat.

Word Virus

Imagine my disappointment upon finding out that the title was subconsciously pinched from a William Burroughs book. I thought I’d struck gold, but alas, he’d beaten me to it. Still, at least it was Burroughs and not Enid fucking Blyton.

This one was written extremely quickly in rehearsal, and I finished off the lyrics at work the next day when I was supposed to be doing some dull task or other. If my former boss is reading (doubtful), I’m sure he’ll be pleased.

Know You Exist

Originally this had the somewhat childish working title of ‘Sonic Urethra’ when I first started it, as it sounded a bit like… actually, do I even have to explain that? It doesn't sound like Sonic Youth anymore. Musically it was very much a collaborative effort, if it’d been left up to me it would have been a shapeless twenty-minute drone. Luckily Craig has a good ear for structuring stuff.

I can’t say for sure, but the “Here’s your hair shirt, son” line was probably cribbed from the title of a Birthday Party song, called (strangely enough) The Hair Shirt. I was in a bit of an odd place when I wrote these lyrics, but it’s ALL FUCKING FINE NOW OK?

Interval

Does what it says in the title. We just fancied having a bit of breathing space and dividing the album in two, so did this one evening near the end of mixing. I could give a proper in-depth description of how it was made, but nobody wants to read that shit.

The City Is Dead

This song dates back to around 2007 along with Monument and You Can Trust Me, so I can’t really remember much about its inception. It’s supposed to be a rockabilly type thing, but has been put through our patented ‘bombastic washing machine’ and the colours have run a little bit.

Lyrically it’s a bit of a jumble, but I suppose it’s about dropping out of repetitive cycles of living and doing something fun instead. We’re deep, man, what can I say?

Monument

Again, it was written a while ago and my memory is hazy… I remember doing some of the lyrics in a bar on George IV Bridge in Edinburgh one Saturday afternoon. Spot the deliberate mistake, metallurgy fans.

Idle Worship

The second of the Brazilian Trilogy, I’d have thought it was quite obvious in this instance. Close your eyes, visualise it slowed down, samba rhythm, acoustic guitar, singing in Portuguese… You could almost be mugging tourists in São Paolo!

Feed Me Rhetoric

Brazilian #3 (sounds like a humiliating waxing routine). I’m doing my best Jim Morrison croon on this one. Should I buy a pair of leather trousers, hmm? Call myself ‘The Crocodile Baron’ or something? Anyway, Lovely Latin drumming from Craig I must proclaim, and it seems to be a firm live favourite with audiences, so we hardly ever play it.

And yes, I know how ‘rhetoric’ should be pronounced, but it doesn’t fit in that way. So fuck off.

You Can Trust Me

This started out as a little folky number but when we began working on it properly we focussed it through a Birthday Party-esque prism and noised it up a bit. Are you still reading this? If I were you I’d have gone home ages ago. You really are a glutton for punishment.

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