33.11 - Obvious Post Theme Is Obvious

Alternate title: Where's the Beef?

Jeepers, one third of the way through already, so if playing this post on your turntable remember to set it to 33⅓ instead of 45rpm.

Anyway, yes, day eleven means I couldn't resist the obvious option of turning the volume up a bit.
Here are a selection of some mighty fine bands making lovely loud noises. Also, see, I do like music made post 1998.

A Fight You Can't Win - Shout First/Loud Words
Black International - Destruct_o_
Bronto Skylift - Gameboy
Carnivores - Five Go Mad On Mescaline
Crusades - Pseudo Andro
Fat Goth - Willie Wonka and the Charlie Factory
Fat Janitor - Two Nights in Hell
Holy Mountain - Gunner (EP version, so Chemikal don't shout at me)
Hunt / Gather - Cementalist
No Island - Fallow Years
PAWS - Winners Don't Bleed (Song, by Toad Session)
What the Blood Revealed - To Travel Deadly Ground

A quick diversion south for my Welsh buddies:
Exit_International - Glory Horn

And finally, gone but not forgotten:
You Already Know - Let's Fuck

33.10 - What Do You Do When the Music Stops?

I was going to save this song till the end, since that's usually where it goes when I'm DJing, but I think I'll throw it out there now instead, I've already got enough enough stuff I'm saving for later.

Yes. Yes I can.

The Pipettes - Pull Shapes

I don't fully trust anyone who doesn't dance to Pull Shapes. It even has handclaps and everything! I love songs with handclaps.

The image there comes from Kieron Gillen & Jamie McKelvie's comic Phonogram by the way. More accurately, Phonogram - Singles Club issue #1. Both series of Phonogram published so far are pretty much brilliant, if you like comics & music you should own them.
Buy volume one from Amazon here, and go here for volume 2. Also, you can download Singles Club #1 for free from ComiXology at the moment here. I may well mention it again when I give in to the urge to shove up loads of Britpop.

Clap your hands if you want some more.

33.9 - Late On Purpose

You can't get 33:9 on a clock, so you'll have to settle for this.

For a change this installment of 33 isn't slipping in just before midnight because I was lazy, distracted, or couldn't be arsed. It's actually being written in advance, on Thursday, since I'll I'll be out galavanting somewhere on Friday night.

Pete Wylie is a pain in the arse for anyone who likes to keep their music collection carefully aphabetised. Wah!, Wah! Heat, Shambeko! Say Wah!, JF Wah!, The Mighty Wah! and Wah! the Mongrel, all different names for the same band band. In fact, finding this song on my hard drive was a nightmare, I ended up giving up looking and resorted to one from a compilation album.

Anyway, yes, this post is scheduled to publish at 11:53PM why? Guess.

Wah! Heat - Seven Minutes to Midnight

33.8 - I Wanted To Lick Your Knees

Right then, back to favourite songs today.
Good tune, nonsensical lyrics, more fun than a sackful of clowns.

Camper Van Beethoven - Take The Skinheads Bowling
Bonus! Other people doing it too.
Teenage Fanclub - Take The Skinheads Bowling
Manic Street Preachers - Take The Skinheads Bowling

33.7 - Five A Day

Hello Cleveland! Are you guys ready to rock?

Giving these a theme is quite fun, so here's another themed post for today.
See if you can guess what it is.

Orange Juice - Rip It Up
Fun fact: this is the first Orange Juice song that I can remember hearing. Thanks, older brothers with good records!

Peaches - Fuck the Pain Away
May as well make the blog gloriously NSFW today.

Prefab Sprout - The King of Rock 'n' Roll
"Aaaalllmoooooond cookies!"

Smashing Pumpkins - ...Said Sadly
It was this or Thirty-Three. I suspect we may come back to the latter.

United Fruit - Wrecking Ball
United Fruit ruin play Stereo in Glasgow on May 28th. Tickets are available here.

33.6 - A Chance To be Lazy

Can you see where this is going?

The last couple of posts in the 33 series have been more labour intensive than they might look, meaning I briefly had to use my brain. Now, I don't want to have to do that too often. It's a small small brain, it gets used up quite quickly, and I might need it at some point later.

With that in mind while trying to think of what I wanted to do today I looked out the window, typed "sun" into search on my music folder, and this is a selection of what came up.

BMX Bandits - Sunshine Day
Dinosaur Jr - Take a Run at the Sun
Evil Hand - A Drop of Sunshine
Lambchop - Your Fucking Sunny Day
Len - Steal My Sunshine
McGazz - Sun on My Back
Skibunny - Sun Sun Sun
Spiritualized - Lay Back In the Sun
Symposium - Drink the Sunshine (Hiya Peenko)
The Great I Am - Sunny Glasgow
Tiny Birds - Don't Let the Sun Go Down On Your Anger

33.5 - Alien Vs Predator (Not Really)

I reject your claim that I am "cheating" with this image by saying nyah nyah.

Let's stick with the only mildly homoerotic "Aye Tunes Hearts Peenko" theme a bit more today.
Much like yesterday I blamed Urusei Yatsura for this blog existing, today I blame Chemikal Underground for giving me the stupid idea to promote gigs. Chemikal Underground and beer.
"How on Earth can you blame Chemikal Underground for you being a fool?" you ask? Well, I'll tell you. It was back in January of 2010, wandering down the road for a bus after the Chemikal anniversary gig at Celtic Connections that drunken conversation with Lloyd took a turn to us both saying that we quite fancied putting on a gig at some point, with me taking the next logical leap that since neither of us knew the first thing about putting on gigs, why not team up? It seemed like a good idea at the time.

How well did it work out? Well, results were mixed. The first gig was a roaring success, with us having to turn people away at the door, and is still just about the happiest experience I've ever had. Relief, booze, and pure joy is a heady mix.

The second one was booked almost entirely while drunk, a result of me bumping into Ross, then of Little Yellow Ukuleles, now in So Many Animal Calls, in Bloc and asking if he fancied doing a gig the following month, which we then had to hurriedly arrange. Lloyd saw Randolph's Leap at GoNorth while drunk, and we got them too, and We're Only Afraid of NYC missed out on doing the first through an imminent baby arrival, so were obvious people to invite to play the second. It wasn't as successful, but was still a hoot.

In hindsight moving to a bigger venue for the third gig was a mistake. The bands were great, but not as many people turned up as we'd hoped, at least according to the person on the door, and by the end of the night the wind was out of our sails a fair bit. We'd already thought about making that our last joint gig for a while, and it was a pretty easy choice to leave it alone after that.

From there we each put on a few things of our own, and would occasionally talk about doing something else at some point. Then, opportunity! We'd both been lucky enough to hear Adam Stafford's then upcoming album Build a Harbour Immediately quite a while before release, and annoyed pretty much all of our friends by telling them that we thought it was brilliant. An idea appeared, why not ask Adam if he'll let us host the launch gig for the album? Adam agreed, we lined up a couple of our other favourites to play too, and all went well. Right up until a few days before the gig that was, when we very sadly had to lose PAWS from the line-up due to pretty awful personal circumstances. I'd still love to rope them into playing a future AVP, but now that they are all signed up with Fat Cat I suspect they might rather deal with professionals. Hiya PAWS.
Gig number four was nonetheless ace. People came! People enjoyed it! Afterwards I did one of the drunkest DJ sets of my life, which is really quite something considering some of the ones I've done.

At some point along the way we developed a curse. Little Yellow Ukuleles split up. Come On Gang! split up. Mitchell Museum went on hiatus. For a while I really feared we might break Mondegreen, but Mitchell Museum are back now, so I think we'll be OK...

Everyone was happy. Maybe sometime we'll do another, but until then keep your eyes peeled as we both have a solo attempt at gig putting on or two coming up in the next few months.

Anyway, here's all the bands that played. Click their name for more on them, click the song name for, um, a song. All these bands are ace, apart from the ones who no longer exist, who were ace.

Aye Tunes Vs Peenko - Captain's Rest, 30th April 2010
Campfires In Winter - Mortigi Tempo
Mitchell Museum - Tiger Heartbeat
Kid Canaveral - Couldn't Dance

Aye Tunes Vs Peenko II - 13th Note, 17th July 2010
Little Yellow Ukuleles - Discopants
Randolph's Leap - Squeamish
We're Only Afraid of NYC - With Bullets

Aye Tunes Vs Peenko III - Classic Grand, 5th November 2010
I Build Collapsible Mountains - Rails
Come On Gang! - Fortune Favours the Brave
The Seventeenth Century - Roses in the Park

Aye Tunes Vs Peenko IV - Stereo, 20th August 2011
Mondergreen - Slouching Digger Paper Wagon
Miaoux Miaoux - Snow
Adam Stafford - Step Up, Raise Hands

33.4 - Welcome to the Lo-Fi Ghetto

Go team.

Today I'm somewhat more organised. Only somewhat though, full organisation is like a myth to me, along with unicorns, Brigadoon, and good Kassidy records.

Zing.

Since it's Sunday I'm going to focus more on a band than a song today. I don't know what ot being Sunday has to do with that, but I am quite clearly making this shit up as I go along, so whatever.

Urasei Yatsura formed in Glasgow in 1993 and consisted of Graham Kemp, Fergus Lawrie, Elaine Graham and Elaine 's brother Ian Graham.
In 1994 they contributed a live recording of the song Guitars are Boring to a compilation released by the Kazoo Club (which was based in the 13th Note). This recording, along with their fanzine Kitten Frenzy brought the band to the attention of John Peel and a session followed. The band then recorded a six track maxi single All Hail Urusei Yatsura. With the proceeds of the Peel session the band released a split single on their own Modern Independent Records label, Pampered Adolescent.
They were later lured to London's Che Records where they released more records, but the band split after releasing their fourth album.
Fergus, Elaine and Ian moved on to form Projekt A-Ko, whose first and probably only album wasn't a huge departure from Yatsura, and was so pretty enjoyable.

Urusei Yatsura were one of the first "wee" Glasgow bands I remember getting into back in the olden days. I'd trot into Glasgow when I could, often telling concerned parents that I was just going to a pal's house, and hope I looked old enough on that particular day to get into wherever Yatsura were playing. Whenever they had a new record out that's what my Safeway earnings would go on that week.

In fact, I've talked about this before, waaay back in 2010 when I posted a couple of Peel Sessions for Keeping It Peel. Copy/Paste alert!

If you hate Aye Tunes (and if you do why are you bothering to read it?) then you can put partial blame for it existing at the feet of Urusei Yatsura. You see, Yatsura were one of the earliest bands to make me interested in the Scottish music scene. Several nights were spent trying to get into venues around Glasgow while still underage to get to see them. Along with the more obvious names like Arab Strap, The Delgados and Mogwai, Urusei Yatsura instilled a passion for local bands that indirectly led me to being here now, writing this.

In addition to blaming them for Aye Tunes being a thing they should probably take at least a share of the blame for shouty vocals, screeching guitars and layers of fuzz and distortion being like catnip for Jim too.

The good Mr. Peenko likes them too, we bonded talking about them over pints the first few times we met,  so this post goes out to him, since had I not gotten to know him the last few years would have been different, and probably a lot duller. Bromance bitches.

Shall I shut up and get to the songs then?

Urusei Yatsura - Guitars Are Boring
Urusei Yatsura - Teenage Dream (from All Hail Urusei Yatsura)
Urusei Yatsura - Siamese (7" Version)
Urusei Yatsura - Kewpies Like Watermelon (Mark & Lard Session)
Urusei Yatsura - Strategic Hamlets (from We Are Urusei Yatsura)

33.3 - Broken Kneecap, Velvet Spine

Oh hello almost missed deadline! I never expected to see you so soon. You're going to be visiting a lot in the next month, aren't you? Yes you are, you little scamp.

So yeah, football, a bust hard drive, and other things have all contrived to distract me today, meaning that very little thought has been put into this post, I've fired up blogger just after 11, and picked the very first song that came into my head.

I'm tempted to hide the name so that you don't know what it is until you hit play, but that's too much work, I'd need to go and change the file name and stuff, and I'm already scrambling around here.

Babble ends. Song begins.

Whale - Hobo Humpin' Slobo Babe

It was this or Cherry Pie, decide for yourself which would have been better. Tomorrow I'll try and be earlier.

33.2 - Yeah, and You Thought You Knew Me?

I don't know either.

Woo, Friday night, party time! What'll it be tonight then, an indie disco floorfiller? Some fat, throbbing beats for us to get down to? A bit of The Boss to sing along to while getting pickled?

No?

Something which features domestic violence?

Yes.

Whipping Boy. We Don't Need Nobody Else is another song I turn to when alcohol influenced and in control of music, but usually not till the point where everyone is a bit too drunk, pals have passed out, pissed me off, or both, and I'm starting to hate everything a wee bit. This usually helps, although if anyone is ever still awake to hear me singing along they do look very surprised at one particular part of the song.
It's tough, but beautiful.

Also contains a nice Bono diss.

Two versions, have fun, don't hit anyone.
Whipping Boy - We Don't Need Nobody Else
Whipping Boy - We Don't Need Nobody Else (Acoustic)

Whipping Boy are Irish, released a couple of cracking albums in the 90s - pick of the bunch being Heartworm, where this song comes from - then vanished. They tried to resurface a few times, but never seemed to quite manage until a year or two ago. At the tail end of last year the band, with a mostly new line up built around singer Fearghal McKee released a new single, No One Takes Prisoners Anymore. It was ok.

Stag & Dagger: Who, Where, When?

Going to Stag & Dagger in Glasgow on Saturday? You'll probably want to know who is playing, at what venue, and when then, won't you?

Here's a handy dandy guide, with my favourites highlighted in red and everything.

SATURDAY 19 MAY

O2 ABC1 
19:15-20:00 White Denim
20:15-21:00 The Phantom Band
21:15-22:15 Django Django 

O2 ABC2 
18:00-18:30 Passenger
18:45-19:15 A Plastic Rose
19:30-20:00 To Kill A King
20:30-21:00 The New Piccadillys
21:30-22:15 Vigo Thieves

CCA 5 
19:00-19:30 Chasing Owls
20:00-20:30 Will Hanson
21:00-21:45 Eleanor Friedberger
22:15-22:45 Washington Irving
23:00-23:45 Willy Mason

THE ART SCHOOL 
18:30-19:00 White Arrows
19:30-20:00 Post War Years
20:30-21:15 Still Corners
21:45-22:15 Jonquil
22:55-23:45 Niki & The Dove Conquering Animal Sound

STEREO
19:30-20:00 Miaoux Miaoux
20:30-21:00 Random Impulse
21:30-22:15 Bear in Heaven
22:45-23:30 EMA
00:00-00:45 Forest Swords

NICE 'N' SLEAZY 
19:00-19:30 Adam Stafford
20:00-20:30 Bwani Junction
21:00-21:45 Milk Music
22:15-23:00 Holy Mountain

THE CAPTAINS 
14:00-14:30 Michael Anguish
15:00-15:30 Hot Panda
16:00-16:30 Honeyblood
17:00-17:30 The Heartbreaks
18:00-18:30 Die Hard
19:00-19:30 Ryan Keen
20:00-20:30 Holy Esque
21:00-21:45 Still Flyin'
22:15-22:45 Hidden Masters
23:15-00:00 Discopolis

33.1 - Start Big

Things I didn't think of when coming up with this stupid idea #1: title images are going to be a pain. Let's start with beer, almost everything starts with beer.

Entry number one then, what should it be? Something like The Delgados, Arab Strap or Teenage Fanclub would be an easy way to go, but all a bit too obvious. We'll get to them, but not tonight.
No, I think we'll skip straight to one of the big guns to kick things off. If you only know me from reading the blog this one might be a bit of a surprise to you. If you've ever witnessed me in a situation where I'm in control of music, particularly if beer has been consumed (I knew I'd manage to work beer in, go me!) whether by being one of my pals, having seen one of the rare occasions where someone has foolishly gotten me to DJ (I still miss you Pin Up Nights) or just had the misfortune to be one of my Twitter followers, you'll know some songs are just inevitable. This one? This one isn't just inevitable, it's pretty much essential.

Skee-Lo - I Wish

A while back I got into a bit of a hip hop discussion, with the other party being somewhat surprised that I even liked hip hop, and upon being asked to name my favourite hip hop song without thinking about it, I Wish was my first, instant answer. I love a lot of hip hop, and there's a ton of more influential, more important, "better" songs than this one, but ask me to pick a favourite and I will go with Skee-Lo every single time.
Genuinely, without a hint of me trying to be smart or "ironic", one of my favourite songs OF ALL TIME.

Ain't that fresh?

33 - A Month Long Exercise In Annoying You

Have you seen this cake? Please contact your local police.

In 33 days I turn 33. Do a birthday gig again? Goodness no, the one last year almost gave me a nervous breakdown, and cost me most of my birthday money. Yet another Aye Tunes gig in July though. Shh, I never said that.
To "celebrate" I'm going to try and tackle my status as Scotland's Laziest Music Blogger, and annoy you with rambling, by doing a post every day.

That's right, every single day for the next 33 days - unless it goes horribly off the rails - you'll have a chance to look in and think "wow, after 4 years of this he still can't write about music?". No great theme here, no songs that changed my life, because that would be lies.

It'll just be songs I like, bands I like, that sort of thing. Lots of stuff I love but wouldn't normally be able to fit on the blog without a crowbar. Sort of like This Is My Jam, but with more words, and pictures of Transformers. It'll probably be terrible. Expect Britpop.

33.1 coming later tonight, when my computer stops acting like a petulant child and does what I tell it. Try to feign interest.

SAY Award Shortlist Announced

I keep forgetting to mention the Scottish Album of the Year Award. The shortlist of the ten albums that'll be in the running for the prize has been announced today, so now is as good time as any to finally get around to it, I suppose.

Firstly, a wee bit of background:
The SAY Award was concieved by The Scottish Music Industry Association (SMIA). Earlier in the year 100 music and arts industry figures from across Scotland were invited to submit their nominations for the Scottish Album of the Year, before a longlist featuring the 20 highest scoring records was announced on April 12th. That longlist has now been reduced to a shortlist of 10 following the deliberations of a specially invited judging panel. The shortlist features one record voted for by the general public who have been able to listen to all 20 longlisted albums online and via a specially designed SAY Award app. With the voting ‘window’ only open for 24 hours on May 14th, more than 9,000 votes were submitted online and via the app.

The winning album will be announced at a prestigious ceremony in Glasgow Film City on Tuesday 19th June, earning a grand prize of £20,000. The nine runners-up will each receive £1,000. All ten shortlisted finalists will receive an artwork from the winner of a unique SAY Award art commission which celebrates the enduring links that exist between music and art. The commission, valued at £20,000, will be offered to graduates from Scotland’s four principal art schools with the winning graduate (selected, in this pilot year, from Glasgow’s School of Art) producing ten artworks to be donated as prizes for the shortlisted finalists.

The shortlist:

• Bill Wells & Aidan Moffat - Everything’s Getting Older
• Conquering Animal Sound - Kammerspiel
• Happy Particles - Under Sleeping Waves
• King Creosote & Jon Hopkins - Diamond Mine
• Mogwai - Hardcore Will Never Die, But You Will
• Mungo’s Hi Fi - Forward Ever
• Remember Remember - The Quickening
• Rustie - Glass Swords
• Tommy Smith - Karma
• Twin Atlantic - Free (public vote winners)

Confirmation there that I'm out of touch with what the public likes. Personally I'd be delighted to see any of Bill & Aidan, Conquering Animal Sound, Happy Particles, Mogwai and Remember Remember win the prize, although my public vote went to CAS, because imagine all the fun toys they could buy with twenty grand. Slight disappointment from me that FOUND didn't make the shortlist is balanced a bit by relief that Bwani Junction didn't either.

TBreak 2012 Line-up Announced

Well, it's that time of year again, as the bands chosen by a select band of elite soldiers to play the TBreak stage at this year's T in the Park have been announced.

The bands are:

Anderson, McGinty, Webster, Ward and Fisher
Bacchanal Party
Beerjacket
Blank Canvas
Brown Bear & The Bandits
Capitals
Chris Devotion and the Expectations
Crusades
Davey Horne
Nevada Base
Open Swimmer
Randolph’s Leap
Roman Nose
TeKlo
The Machine Room
The Mirror Trap

I fed these details into an insane super computer, which rated them as shite (0) alright (5) and ace (10). Here are the results.

You can't argue with science.

And here's a bridge burning.

Another Aye Tunes Gig: Exit_International, Wrongnote & Supermarionation

Been a while since I put on a gig, having all but decided to hang up my occasionally used promoter hat at the end of last year. When the chance came up to put together this one though, I couldn't resist.

And so Aye Tunes Presents is back, a wee bit different this time. We've spread our wings a bit and are bringing a band all the way from Wales for this one, along with one from Glasgow, and one from the scariest place of all, Edinburgh.

Exit_International first came on to my radar when they supported Ginger of The Wildhearts in Glasgow at the tail end of last year. That gig took place on the same night as the now infamous "Hurricane Bawbag", and it is fair to say the wind wasn't the only thing blowing people away. The Cardiff three piece shun six strings, instead coming armed with a pair of bass guitars, to thrilling results. Loud, frantic, sleazy and sexy, with more hooks than a tackle box, Exit_International call to mind hints of Girls Against Boys, Pulled Apart By Horses, Pixies and Motorhead, while always being their own distinct kind of rock beast.
Tours with Ginger Wildheart, Hawk Eyes, Monster Magnet, Blitz Kids, and dates with Kids In Glasshouses, Pulled Apart By Horses, Gay For Johnny Depp and The Bronx, and debut album Black Junk saw Exit_International pick up plaudits in the British rock press, with Rock Sound, Tis is Fake DIY and Kerrang! all praising the band.
A 7” single of Chainsaw Song/Glory Horn – both re-recorded with the latter track featuring vocals and guitar by Ginger - is set for release in May, with the band off on tour to promote the single. I'm delighted to be bringing them to Glasgow for the sole Scottish date of their tour, and hope you'll join me in giving them a warm welcome. Possibly a sweat drenched welcome too, but certainly a warm one.



Wrongnote have been tickling my ears for a while now. Debut album Rech Out, Disconnect took a couple of listens for me to really get into it, but once it took hold, it wouldn't let go without a fight. Jagged and off kilter, Wrongnote are probably lazily best described as falling somewhere into post-punk, but there's a lot more to them than that with elements of progressive, punk, post punk, power-pop, jazz, metal and everything in between mixed in. There's something slightly, and endearingly, demented about the Glasgow four piece. Recent single Heart of a Rat is available to download for a price of your choosing from Bandcamp, and sounds ace to me. Also, at the risk of me getting a beating for mention it, Wrongnote must be one of very few Scottish bands to have a member receive the compliment of "I don't mean to be crass, but I'd bang him like a drum" on the IMDB message boards. There's many more threads about the looks of said band member, I'll say no more about that.



Supermarionation are a band I've tried to lure to Glasgow for one of my gigs a few times, but have always been dashed by schedules. Happily this time around the stars aligned, and Supermarionation will be bringing their own brand of punky, poppy rock to the night. No lusty fans on IMDB, but the band do claim to be made up of mad scientists and warlords, so maybe the creepy female fanbase is in a different location.



The gig takes place on Thursday May 3rd at Stairway in Glasgow. If you've not been there before it's on Union Street, right next to Central Station.
Advance tickets are available from Brown Paper Tickets here.
If you are into that kind of thing you can claim you'll come on Facebook here, but I'd much rather you actually came along than just clicked that button.

Buy Expensive Plastic, You Capitalist Pigs! (Or: Record Store Day 2012)

Hey, look, I'm alive! Surprised? I am.

Record Store Day is coming up this Saturday, so I figured I should make some attempt at doing something here, even though I am Scotland's laziest music blogger. Me and RSD don't really get on that much, in part because I don't buy much vinyl, and in part because I call shops shops, not stores. For a more enthusiastic bit about record shops hop over to our pals at Echoes and Dust.
One good thing about Record Store Day is that you can always catch some bands playing for free though. Yes, I'm missing the point, no, I don't really care.

In Edinburgh there's in store activity at Avalanche Records, and VoxBox Music.

Avalanche have:
Withered Hand (2pm)
Gordon McIntyre (Ballboy) (3pm)
Ryan Hannigan (Star Wheel Press) masterclass on how to make album covers
Afterwards the shop is teaming up with The Tidal Wave of Indifference for a gig at The Electric Circus from 7pm, with Star Wheel Press, The Last Battle and Emily Scott.

Over at VoxBox, the line-up is:
PAWS (3pm)
Neil Pennycook (Meursault) (4pm)

Through in Glasgow everyone is getting in on the act.

Insularis Records are bringing their pop up shop to Nice & Sleazy from 12pm, with the following live acts promised:
Call To Mind (2pm)
Any Color Black (3pm)
Withered Hand (5pm)
They'll also be having a raffle for some rarities, including one of the last remaining FOUND chocolate 7" singles, and hint that there'll be some surprises too.
Following their takeover upstairs, Insularis are also hosting a gig downstairs at Sleazy's, with Holy Mountain, What the Blood Revealed, and Adam Stafford, which frankly sounds brilliant.
Here's some Holy Mountain.

Love Music have:

Dolalay (1.30pm)
Cathode Ray (2pm)
White Heath (2.30pm)
French Wives (3pm)
Woodenbox (4pm)
The Murderburgers (4.30pm)
Admiral Fallow (5pm)

Down at Monorail you can catch this lot:

Organs Of Love (4pm)
Gerard Love DJ set (4.30pm)
Human Don’t Be Angry (5.30pm)
Stuart Braithwaite DJ set (6pm)
Snowgoose (7pm)
The Brogues DJ set (7.30pm),
Linden, Edwyn Collins & Dead Flamingos (8.30pm)

As always there's a whole pile of Record Store Day exclusive product available on the day too. Get along to the shops early for those limited edition over priced records from the major labels kids! Or buy them from scalpers on eBay later.
I've dug through the full list to find some RSD exclusive from Scots (and Garbage), so I can carry on pretending to be a Scottish music blog for a little longer.

• Admiral Fallow: Boots Met My Face LP
• Belle & Sebastian: Crash 7"
• Django Django: Storm 7"
• Edwyn Collins: Tape Box 6x7" box set
• Emeli Sande: Heaven 12"
• Garbage: Blood For Poppies/Battle In Me 7"
• Human Don't Be Angry: Human Don't Be Angry LP
• Mull Historical Society: Must You Get Low 7"
• The Wicker Man OST: Willow's Song/Gently Johnny 7"
• Snowgoose: Harmony Springs LP
• Twin Atlantic: Make a Beast of Myself 7" picture disc
• Various Artists (inc. Simple Minds): The Breakfast Club OST LP
• Finally, and not on the list, Cath Records have a pair of releases, a tape from Bronto Skylift and Sean Armstrong cassette/DVD. No idea where they'll be on sale right enough, but if you keep an eye on their Facebook I'm sure they'll tell us.

Track By Track: Black International - In Debt

One of my favourite albums of last year, Black International's In Debt, has been picked up by Spiralchords Records, and was re-released on Friday. For those that missed it first time round here's a repeat from last year, when Black International's Stewart Allen shared some behinds the scenes secrets about the songs on the album.

Thanks to the magic of Bandcamp embeds you can listen to the whole album as you read. If you like it, buy it. Now, read on to learn about the mysteries of the Brazilian Trilogy, and other things.

A Million Mouths

This song probably had the longest gestation period of anything we’ve written, as I was terrified that I couldn't think of any lyrics for it, and always felt ill whenever I contemplated doing them. I think we started rehearsing this in 2008 before temporarily abandoning it, but the general chord sequence may have been kicking around for two or three years before that. We finished it a week before recording started. Nail biting, etc.

Destruct-o-

I can’t remember much about the process of writing this one, but the basic structure was finished before I took it to the rest of the band, which is quite unusual for us these days. Believe it or not, we had a sort of Sly & the Family Stone thing in mind when we were arranging it, which I think shows in the rhythm section. Imagine there are trumpets and grunts on it and you’ll see what I mean.

Dread (Excerpt)

The ‘excerpt’ in the title refers to the introduction, which was originally a complete song but wasn't very good, so we binned most of it and bolted it onto another song. The first of what I’ll call the Brazilian Trilogy, as it was written on a little Spanish classical guitar I got from a charity shop while I sat around trying to copy Jorge Ben.

The lyric idea owes a little bit to McCarthy’s Charles Windsor, but doesn’t have quite the same level of joyous nose thumbing. I’d say it was supposed to be ‘darkly comic’, if I were a bit more of a twat.

Word Virus

Imagine my disappointment upon finding out that the title was subconsciously pinched from a William Burroughs book. I thought I’d struck gold, but alas, he’d beaten me to it. Still, at least it was Burroughs and not Enid fucking Blyton.

This one was written extremely quickly in rehearsal, and I finished off the lyrics at work the next day when I was supposed to be doing some dull task or other. If my former boss is reading (doubtful), I’m sure he’ll be pleased.

Know You Exist

Originally this had the somewhat childish working title of ‘Sonic Urethra’ when I first started it, as it sounded a bit like… actually, do I even have to explain that? It doesn't sound like Sonic Youth anymore. Musically it was very much a collaborative effort, if it’d been left up to me it would have been a shapeless twenty-minute drone. Luckily Craig has a good ear for structuring stuff.

I can’t say for sure, but the “Here’s your hair shirt, son” line was probably cribbed from the title of a Birthday Party song, called (strangely enough) The Hair Shirt. I was in a bit of an odd place when I wrote these lyrics, but it’s ALL FUCKING FINE NOW OK?

Interval

Does what it says in the title. We just fancied having a bit of breathing space and dividing the album in two, so did this one evening near the end of mixing. I could give a proper in-depth description of how it was made, but nobody wants to read that shit.

The City Is Dead

This song dates back to around 2007 along with Monument and You Can Trust Me, so I can’t really remember much about its inception. It’s supposed to be a rockabilly type thing, but has been put through our patented ‘bombastic washing machine’ and the colours have run a little bit.

Lyrically it’s a bit of a jumble, but I suppose it’s about dropping out of repetitive cycles of living and doing something fun instead. We’re deep, man, what can I say?

Monument

Again, it was written a while ago and my memory is hazy… I remember doing some of the lyrics in a bar on George IV Bridge in Edinburgh one Saturday afternoon. Spot the deliberate mistake, metallurgy fans.

Idle Worship

The second of the Brazilian Trilogy, I’d have thought it was quite obvious in this instance. Close your eyes, visualise it slowed down, samba rhythm, acoustic guitar, singing in Portuguese… You could almost be mugging tourists in São Paolo!

Feed Me Rhetoric

Brazilian #3 (sounds like a humiliating waxing routine). I’m doing my best Jim Morrison croon on this one. Should I buy a pair of leather trousers, hmm? Call myself ‘The Crocodile Baron’ or something? Anyway, Lovely Latin drumming from Craig I must proclaim, and it seems to be a firm live favourite with audiences, so we hardly ever play it.

And yes, I know how ‘rhetoric’ should be pronounced, but it doesn’t fit in that way. So fuck off.

You Can Trust Me

This started out as a little folky number but when we began working on it properly we focussed it through a Birthday Party-esque prism and noised it up a bit. Are you still reading this? If I were you I’d have gone home ages ago. You really are a glutton for punishment.

Black International: Website - Facebook -  Bandcamp

Loch Lomond - White Dresses EP

Loch Lomond have a Scottish sounding name, but come from Portland which is over there in that America. Their Scottish connections go further than the name though, it was a couple of releases on Song, by Toad that I first heard the band. Chemikal Underground released Loch Lomond's latest album over here last year, and now we have this EP, White Dresses, making up their first brand new material for Chemikal.

The songs on offer here share a gentle fragility, and a sense of melancholy. There's lush, rich instrumentation, but with a restraint that gives everything room to breathe. Allied with Ritchie Young's show stopping voice, constantly oozing emotion, this is just plain really good music. Rather than throw a bunch of adjectives at you as I try and fail to describe the EP any further, I'll just leave it at that.

Loch Lomond - Kicking With Your Feet

Loch Lomond make a rare full band visit to Scotland at the end of this week for two dates.
Friday March 9th - Glasgow, Captains Rest - TICKETS
Saturday March 10th - Edinburgh, Sneaky Pete's - TICKETS

White Dresses is out now, available from shops, straight from Chemikal Underground, Amazon and iTunes.

COMPETITION: Win Tickets for Carnivores/The Darien Venture/Cuddly Shark/No Island

Next Monday - March 5th -  ours fierce rivals friends at The Daily Dose are putting on a gig at Stereo.

Proceeds from the gig go to charity Action For Children. Tickets are available here

Playing at the gig are:

Carnivores.


The Darien Venture


Cuddly Shark


No Island


Hate charity? Really cheap? Well, we've got a pair of tickets to give away, so you could try that instead.
To enter simply email the answer to the following question to competition@ayetunes.org.uk, along with your name.
Question: What makes up a large part of a carnivores diet?
A. Glass
B. Meat
C. The Moon

Entries close at 6pm on Friday March 2nd, winner will be informed by email.
I won't keep your name and email address for nefarious purposes, sell it to spammers, try to steal your identity, or break into your house when you are at the gig on Monday. Honest.

Pin Up Nights - Ladies Night

This Friday is the last one of the month, and you know what that means, it's Pin Up Nights time! I won't be able to say that for much longer, as there are a mere two Pin Ups events to go, Ladies Night this week, then the final Pin Ups Night in March, then it's all over. I don't generally do clubs - hey, I'm old - but my outings to Pin Ups are always good ones with many fond memories, albeit quite hazy ones, so I'll miss it when it's gone.

Things might be coming to an end, but the Pin Ups crew seem pretty determined to go out with a bang. Ladies Night promises all the usual treats, including the standard good song selections of the Pin Ups DJs, who are joined this month by guest DJs Wild Beast,

Playing live this month are Kid Canaveral - who if you haven't noticed how much I love by now you probably never will, The Plimptons - whose upcoming new album has a bunch of wrestling references, pitching it firmly up my street, and Fanny Pelmet and the Bastard Suits - who I, err, know nothing about, but I like their name.

Kid Canaveral - You Only Went Out To Get Drunk Last Night


The Plimptons - Be Expected


Additional treats include not one, not two, but three burlesque acts. Vendetta Vain, Tom DeLish and Babette Corvette will be strutting their stuff sometime around midnight. Which gives me an excuse for this video...


As always everything takes place at the Flying Duck, tickets are available here for six quid. Buying in advance saves you money, as the price rises to £8 if you pay on the door, so go ahead and buy now.

I'll give you more details about Pin Up Nights - Game Over closer to the time, but until then I should probably draw your attention to one thing. The team want Jarvis Cocker to DJ at the final night, but have so far had no luck. Naturally then, they've started a petition to Get Cocker. You can find out more details over on Facebook, and sign the petition here.

Six Things For Saturday

I'm a rubbish blogger, clearly. Rather than spend another weekend not writing proper blog posts and leaving things silent, here's a random selection of free music to briefly entertain you at the weekend.

Randolph's Leap:
Randolph's Leap launch their new album, Randolph's Leap and the Curse of the Haunted Headphones with a gig at the Captains Rest tonight. Contrary to the poster above I'm told that doors are at half seven, with the first band on at eight, so get along early. The album will be available on cassette at the gig, though there are very limited quantities available, before being put up on Bandcamp later. As a wee taster you can download Dying In My Sleep from the album here.


Julian The Apostate:
The man behind Julian The Apostate used to be in a band I liked, but now he's going solo instead. There's a couple of EPs and some demo recordings available for free from Bandcamp, and I'm promised there'll be more going up regularly, so keep an eye out.


Human Don't Be Angry:
The man behind Human Don't Be Angry used to be in a band I liked, but now he's going solo instead. Oh, wait... Anyway, yes, Human Don't Be Angry is the latest project from Malcolm Middleton. The album will be released on April 23rd - I've had a sneaky advance listen, it is, not very surprisingly, a bit good - but ahead of that there's a free download available of H.D.B.A. Theme. The first Human Don't Be Angry gig with a new full band takes place at The Arches a week today, as part of the Margins festival. There's not many tickets left, so you'll have to hurry if you want to go but don't have one yet.

Night Noise Team:
I rather enjoyed the album, Slow Release, that Night Noise Team put out last year. It was a mixture of dark, broody, poppy and electro, sometimes all at once. There's a free track, The Gift, available here, and more freebies from other Permwhale bands here. Slow Release is available to listen to and buy here.


Fay Wrays:
Ditching Scotland, off we go to Fresno, California, for something new from the Fay Wrays. Their album Strange Confessor popped up at random in my inbox last year, and ended up one of my favourite albums of the year (you can get that album for free here), so I was rather happy when they sent me through a new song at the start of the week. Cars is really rather good, and you can have it for free here.


Magnetic Island:
Continuing the rather random hopping around the globe today, let's stop off in Brooklyn, New York, for a little something from Magnetic Island. Their new self titled album is really, really good, and I urge you to have a listen to that here, and buy it if you like it. There's a host of free stuff from Magnetic Island on Bandcamp too, so go ahead and fill yer boots, but the freebie I'm featuring here popped up just the other day. It's a cover of a song by the Au Pairs, who I must confess to being completely unaware of, so I can't compare the cover with the original. The Magnetic Island version of Headache For Michelle is ace though, so go download it.


Finally a reminder that I recorded a podcast with Insularis Records, you can find more about that, and have a listen, here.

Me, Talking Rubbish

Oops, gone a bit longer between pots than I'd meant to. There's also an ominous looking submission pile that needs attention. While I attempt to do something about that, how would you like to hear some songs interspersed with me talking nonsense?

Last week I got together with my pal Allan to record a wee podcast for Insularis Records, the results of which you can hear below.

Insularis Podcast : January 2012 with Jim from AyeTunes! by Insularis Records on Mixcloud

We played ten songs, and I mainly ignored both Scottish music and new music for it, because I'm awkward like that. If you've always wanted to hear what I sound like when talking about things quite randomly, now you can.

Since recording I've done fact checking, and can add two pieces of into to things, 1 - Spiritualized have a new album imminent, which will presumably make up some of their set on their upcoming tour. 2. Kate Radley married Richard Ashcroft of The Verve.

Go buy some records from Insularis.

Shambles Sells Out, or Free Shambles Miller!

Given that I had him along to play at my last Aye Tunes gig in 2011 you shouldn't really need to be told that I rather like Shambles Miller. If you haven't heard the man himself yet to find out why I like him you won't get many better chances than this.

You see, Shambles has now sold out of physical copies of both his EPs, Shambles Vs The Dragonwizard and Shambles Sails The Clockwork Sea. To celebrate the sell out status the kind Mr Miller is making both EPs available, for a limited time, to download for whatever you want to pay for them.

Both are available from Bandcamp, where you can have a listen and get yourself a digital copy for however much you fancy paying.





Shambles Miller: Website - Bandcamp - Facebook

This Week's Gigs: 23rd - 29th January

There's a few handsome looking gigs going on this week, including a selection of my so-called "ones to watch" in action, so time to dust off the weekly guide for a rare outing, albeit in brief form.

Wednesday:
Miaoux Mioux, White Heath, Miss The Occupier, The Miss's. Stairway.
Fresh -assuming he gets a chance to catch up on his sleep - from his Radio One session in the early hours of this morning, Miaoux Miaoux will be adding a bit of pep to the middle of the week with this gig at Stairway. Miss The Occupier and The Miss's are both ace too. Tickets are available straight from Miaoux Miaoux here.
Young Philadelphia, Birdhead, Rollor, Burning Mountain. Pivo Pivo.
I don't know a lot about two of the bands on show here, but can vouch for Birdhead and Rollor both being a bit good.
LAID Burns Night: Trapped In Kansas, Poor Things, Loki. Bloc.
Rounding out a busy Wednesday in Glasgow is the latest offering from LAID.

Thursday:
French Wives: Album Preview. Duke's Bar. (Tickets)
Hey look, it's another of those bands who you should watch and stuff. French Wives are busy both raising money to run away to America, and getting ready to release their debut album. This show covers both bases, as it'll have the first playback of the finished album, as well as an acoustic set from the band - which they've promised to practice for - and some DJing.
Vladimir, Sick Kids, All We Are, Featherman. Bloc.
United Fruit, PAWS, Vasquez. Electric Circus.
Don't worry Edinburgh, I haven't entirely forgotten about you. There's a pretty easy one word desription for this gig - ooft.

Friday:
RM Hubbert, Tattie Toes. Stereo. (Tickets)
More watchable people! RM Hubbert is launching his new album, Thirteen Lost and Found, at Stereo on Saturday. All the guest contributors to the record will be chipping in, and it ought to be quite special.
Pin Up Nights - Intergalactic! The Flying Duck.
Sadly there aren't many Pin Up Nights left, as my favourite club night in Glasgow prepares to go away *sniff*. Enjoy it while you still can then. This month's Pin Ups has Den Haan, Nevada Base and Fiction Faction playing live, the usual Pin Ups DJs, guest DJs Paul Downie and Ally McCrae - plus a mystery spaceman - and Edinburgh club night It's Funtime taking over the kitchen.