This will now go back in the cupboard for another year
Right then, last session, I think I've assaulted you enough for one day.
Back to Scotland for our final session, with a.c. acoustics. I'm never sure if that should be uppercase or lowercase, all one word, or with punctuation, so I've made a guess. They were a band that always threatened to bother the mainstream, but in the end never did. What they did do before splitting in 2003 was leave behind a quartet of cracking albums in the shape of Able Treasury, Victory Parts, Understanding Music and O.
Both Stunt Girl and I Messiah Am Jailer made it into the Festive Fifty in 1996 and 97 respectively. Both are ace songs.
Other than a quick round-up post to follow that's me done with the Keeping It Peel Posts for this year. Remember to swing by the Keeping It Peel website to see what others have been up to.
Nearly time to put away the wee Peel Session image for another year, only one more session to go after this one.
For this one I am once again kicking all pretense of being a Scottish music blog out the window to pick another of my favourite bands ever. I was a latecomer to Spiritualized. Up until Ladies and Gentlemen We Are Floating In Space I knew the name, but not much else. That album though was released a mere two days before my 18th birthday, and was promptly bought with birthday money, and listened to on repeat on the new stereo that my parents got me as a present for much of the summer, when I wasn't off enjoying the gap between school and university, and enjoying the novelty of legal being allowed to buy booze and 18 rated videos. A bit of working backwards whenever I had some spare cash filled in the gaps, going as far back as some of the Spacemen 3 stuff.
I've said it about a couple of albums today, but Ladies and Gentlemen We Are Floating In Space is another one of those records that if you have ears, you should probably own. The irony of me becoming near addicted to a heavily drug themed album has never been lost on me either.
I'll likely not get an excuse to shoehorn The Olivia Tremor Control into the blog until this time next year, so what the heck, let's squeeze them in.
The Olivia Tremor Control are another one of those bands I hadn't thought about in ages, until a few months ago when I heard there was new material on the way. That sent me scurrying to listen to their back catalogue again for the first time in a long time, and wonder why I'd let them slip my mind so much. Dusk At Cubist Castle and Black Foliage are both cracking albums. The first new material from them, recent single The Game You Play Is In Your Head, Parts 1, 2 & 3 suggests that the band's return is no bad thing either.
Before I carry on, just a quick mention that Fresh Air Radio are having a Keeping It Peel celebration of their own. Assuming this posts at 8pm as scheduled they are just kicking off, and you can listen live here. Don't worry, you can go listen to that and come back here later, I won't mind.
It has mostly been white boys with guitars up till now, so before I get shouted at here's some, err, Scottish girls with guitars. They make an almighty noise, enjoy. As my pal Last Year's Girl might say "shouty girls FTW".
Miss a chance to post a load of Dawn of the Replicants songs? Not a bloody chance!
Along with Dogs Die In Hot Cars, Dawn of the Replicants are one of my favourite Scottish bands starting with the letter D. Oh, and Deacon Blue obviously. Wait, De Rosa and Dananananaykroyd. There's more bands beginning with D than I thought there were when I wrote that sentence. Never mind, let's carry on.
Stealing a quote from elsewhere: "Swamp rock, pop, glam-rock, electro-girlie, jazz, doo-wop, nasty ass blues, hip hop, redneck and experimentalism,' is how Dawn of ... describe their music. But then their founder members used to be music journalists, so their love of genre-checking is forgivable. They're also right."
These days Paul Vickers can be found doing all sorts of stuff, on his own and sometimes with The Leg. Roger Simian is one half of The Bird and the Monkey. I've had them penciled in for a blog post for a while, which I will get to eventually, but in the meantime consider this a quick plug for them, visit their website for loads of stuff.
Four Peel Sessions, and one entry in the 1999 Festive Fifty. All the sessions, and one from Pluto Monkey, are available to download for free from the DotR website here, so I'll just pick a couple of songs from each to stick below.
We had a couple of Scots in a row there, so time to check in on some friends from across the pond again.
I've sort of lost track of ...And You Will Know Us By The Trail of Dead as time has gone on. I'll always pick up a new album they release, but often they get listened to a couple of times and forgotten about a bit. I do regularly go back to their first few though.
I have a weirdly vivid memory of buying the debut album, on vinyl, in the record shop that used to be downstairs in Flip in Glasgow, many years ago. I'd only heard Richter Scale Madness, and vaguely knew the name, but that song and that album cover were enough to inspire an impulse purchase. Not one I've regretted.
How about something nice and quiet for you to have your dinner to? How about no.
I can generally take or leave Biffy, but the stuff at the start of their career is the more takeable, and Jaggy Snake is good stuff any way you dress it up. Suppose the second session track might fall into "topical" territory, but I didn't notice that till I was about hit hit "post" on the session. Fun cover version too.
Bored of this image yet? Tough luck, I'm not done.
Aye, we've pretty much tossed sticking with Scots well out the window for Keeping It Peel, letting me instead post bands that I wouldn't normally. To say that the Afghan Whigs are a favourite of mine is a bit of an understatement. Greg Dulli is pretty much a musical hero. He was the driving force behind the Afghan Whigs, the only musician other than Dave Grohl to play on the debut Foo Fighters album, faked being a Beatle along with Grohl, Thurston Moore and Mike Mills for the soundtrack to Backbeat, teamed with Mark Lanegan as The Gutter Twins, stuck out a couple of solo records, and can now be found heading up The Twilight Singers. To my ears he has never released a bad record. You can disagree, but be warned it may end in a fistfight.
The Afghan Whigs would often through a cover version or two into their live sets, and stick them on the b-sides of singles, so it seems fitting that this session has a pair of covers, Revenge by Patti Smith and Easily Persuaded by Martha Reeves and the Vandellas, along with two songs from Gentlemen, another one of those albums that anyone with ears should have a copy of. Actually, all girls should be issued with a copy of Gentlemen on their 13th birthday and sent to listen to it with the warning "this is men, stay away from them", teen pregnancy rates would plummet. I do personally like Black Love just a wee bit more though, it was my first Afghan Whigs album, so it claimed the spot in my heart before the others had a chance to.
Another request this time, and one I can't refuse. Not only do I love the Sultans of Ping, but the request came from my big brother Ron, whose old copy of Casual Sex in the Ciniplex is pretty much the reason I was one of a handful of 14 years olds who knew all the words to Where's Me Jumper?
Every time an election comes around and people start talking about the party manifesto my mind stops paying attention, ignoring what anyone says, as everything is replaced by "I like a manifesto, put it to the test-o", and I'm gone for several minutes. I never know what is going on at elections, but I do enjoy myself.
Here you go then Ron, thanks for getting me into the Sultans and loads of other stuff, but I'm still delighted I dodged the Genesis bullet.
Time for a request. I don't really know much about World of Twist, but I stuck a call out on Twitter the other week asking if anyone had any sessions they'd like to see posted, and this was one of the ones asked for, so here it is. Service with a smile from Aye Tunes! Well, as close to a smile as you'll get out of my naturally grumpy looking face anyway.
Out of the two Peel Sessions recorded by Prolapse, and the two live broadcasts they did, do I have a full one to post? No.
Will this stop me rambling about Prolapse for a bit? No.
Prolapse came from Leicester, but had a member named "Scottish" Mick. Unlike Tiny Tim, or anyone who as ever called themselves "mad", this wasn't an ironic nickname. The second "Scottish" Mick Derrick opens his mouth it is obvious the name isn't a joke.
They are also a band I hadn't listened to in years until fairly recently, mainly due to having lost all the albums of theirs that I had. Some spare eMusic credits that had to be used up led to me buying debut album Pointless Walks To Dismal Places again to see if I still liked it. I did, a shopping spree followed, and I've been a wee bit obsessed with the band over the past few weeks as a result. A mixture of shoegaze, punk and Krautrock, there's a fair chance you'll find Prolapse either brilliant or almost unlistenable. I'm in the former camp, obviously.
Prolapse made the 1997 Festive Fifty with two songs, Autocade and Slash/Oblique. None of the Prolapse Peel Sessions are available, and I don't have copies of them, except for the Peel version of When Space Invaders Were Big, which was released as a single.
I've never really "got" GY!BE the way that some do. That's no reason not to dig our their one Peel Session though, so here it is. This track also made the Festive Fifty in 1999, at number 21.
We'll be bouncing between Scottish bands and bands from elsewhere this year for Keeping It Peel, but we'll kick things off with one of my favourites from these shores, Boards of Canada.
It has been a while, as far as I can remember at least, since Boards of Canada have released anything, but when you are responsible for the absolutely sublime Music Has the Right To Children you can do whatever you like in my book.
I'm of the opinion that everyone with functioning ears should have a copy of Music Has the Right To Children by the way. Heck, even people whose ears don't work that well should have it.
The one Boards of Canada Peel Session was released as Peel Session EP, available to buy from Amazon and iTunes, so to avoid getting into trouble I won't post the whole session, just the first track, and the last. The last song, XYZ, was initially available on the Peel Session EP, but removed due to licensing issues.
What is Keeping It Peel? Well, simply put it is a sort of John Peel Day, for bloggers.
KeepingItPeel is the brainchild of Webbie of Football and Music, brought to my attention by JC of The Vinyl Villain. It is a sort of offspring of JC's brilliant Paul Haig Day idea and it boils down to a bunch of bloggers taking today to post some Peel Sessions.
I took part last year, and the whole thing was fun, and a good excuse to dredge through the archives, so I'll be joining in again this year. There will be Peel Session posts throughout the day, and probably at some point me panicking to hit my deadlines as I run out of things I've scheduled already.
"I just want to hear something I haven't heard before" said John Peel. With that in mind you could argue that by digging through the archives I've missed the point of #keepingitpeel. However since the rest of the year is dedicated to writing about new music, going out to see live bands and attempting to deliver something you might not have heard before I think I can be forgiven for using today for nostalgia, don't you?
Sunday night, it's a bit rubbish really isn't it? Ironing shirts, having a bath, watching someone you mildly detest get eliminated from a TV show you hate yourself for watching.
Want to do something much better with your Sunday night? Want to help out a charity while enjoying yourself?
Get yourself along to Mono from 7:30pm then, for a night of music celebrating Elliott Smith.
Elliott is pretty much one of my favourite songwriters ever, and finding out he'd died is a moment that will always be stuck in my head, as I learned as I was sitting having a pint in the 13th Note before heading out to see friends, who the same day were celebrating the birth of their first child. Swings and roundabouts, eh?
Taking to the stage to cover some Elliott Smith songs are The Big Nowhere (who you might remember from my birthday party, although my memory is quite hazy), Endor, Male Pattern Band, Perestroika, members of Monoganon and more, with an open mic at the end.
Doors open at 7:30, entry will cost you £4, and all proceeds go to Aberlour Children's Charity.
There's also the promise of a raffle and cake (pictured below)
Wiltshire? Yes, Wiltshire. Incrediboy, with and without his Forget Me Nots, spent enough time in Glasgow that I'm claiming him as ours by adoption. The last time Incrediboy and the Forget Me Nots was a good couple of years ago too, so a chance to feature them again can't be passed up.
The two interview segments give you more backstory and info than I could hope to cram in, so listen to them to get caught up, and enjoy the songs.
We don't normally do sessions round here, leaving that game to Peenko instead (he'd beat me if I tried to muscle in on his territory anyway) but I think he is skipping this one, and I like the band, so...
Hector Bizerk are a two piece hip hop outfit from Scotland, Louie on vocals, Audrey on the drumkit. Often I find I can't get into Scottish hip hop, I blame too many years of living on US stuff, I can't get my head round rhymes coming at me in a Scottish accent properly, but there are a few bands around that force their way through my mental barrier. Stanley Odd are one such band, and I'll get back to them over the weekend, and Hector Bizerk are certainly another. Louie commands attention, and having a live drummer instead of a Macbook in the corner adds something more organic to things, as well as being much more interesting to watch.
Enough blether from me, here's the session they recorded live for BBC Introducing this week.
Hector Bizerk have a self titled EP available from iTunes, and a second EP set for release any day now.
You can find Hector Bizerk on Facebook and Soundcloud.
The Hazey Janes release a new album, The Winter That Was, next Monday through Armellodie Records.
Ahead of the release, there's a free download available of Girl of the Night, taken from the album.
Listen to and download it below: Girl in the Night by The Hazey Janes by Armellodie
There's a launch gig for the album this week too. It takes place at The Captains Rest on Tuesday October 18th (that's tomorrow, for those of you who are date challenged), with support coming from The Brazen Cars and Loudon.
The Winter That Was is available to pre-order now from Bandcamp.
Split singles can be funny beasts. The Gerry Loves Records team have put out a trio of great ones, yet over in a box in the corner there's some shockers that I've clearly bought for just one of the bands. The Mogwai/Dweeb split seven particularly stands out.
This one though, this falls firmly into the "ace" category. The single features Rob St. John's Your Phantom Limb on one side, Ian Humberstone's House on the Hill on the other, neither artists that I'm as familiar with as I probably should be. Both songs have a haunted air about them that seems to make them particularly fitting to listen to as the rain batters off my bedroom window, but also a feeling of warmth that makes me glad I'm inside with them.
At a bit over two minutes each this is a quick listen, but a gorgeous one. Best sit near the record player to move the needle back to that start to listen again, and again, and again.
The split single is out now on Song, by Toad Records. The 7" is available from the Song, by Toad shop, and a download can be bought from iTunes and Amazon.
The last few weeks have been packed with good new records, and this one is no different.
A particularly fine album is Honestly, This World, the debut album from The Moth and the Mirror.
The band feature some familiar names, like Admiral Fallow's Louis Abbott, Make Model's Frightened Rabbit's Gordon Skene and Stacey Sievwright, who has played with the likes of Arab Strap and The Reindeer Section in the past. Along with a few other musicians they've taken a while to get around to an album, but it is one that has proven to be worth waiting for.
Since I'm particularly rubbish at reviews, as I'm sure you have noticed by now, I won't go into an awful lot of detail. Instead I'll just say it's really good, go and buy it.
Honestly, This World is released by Olive Grove Records, and available from Bandcamp, Amazon
and iTunes.
There are a pair of launch gigs coming up for the album. The first is at Stereo in Glasgow on Wednesday October 12th, with support from Open Swimmer and Rick Redbeard. There's an instore at Fopp on Union Street in Glasgow at 1pm on Sunday October 16th, followed by another launch gig that night at Edinburgh's Cabaret Voltaire, with support again from Open Swimmer and an acoustic set from Endor..
Every now and then someone from outside Scotland gets in touch with me about bands. Half the time the info is useless, what am I meant to do with a list of tour dates around southern California? Other times I end up being introduced to a record I like, and more rarely I get an intro to a band that I quickly like and some useful information about them to share.
Numbers and Letters frontlady Katie Hasty ticked the last two boxes a few days ago when she emailed me to let me know that her band would be making their first trip to Scotland this week. A quick visit to Bandcamp to listen to them later I was hastily drawing up plans to see which of their gigs I could get to.
Numbers and Letters do the dark, folky Americana thing that I always tend to like, and Katie has a gorgeous voice too. Sold.
Numbers and Letters will be playing with Seattle musician James Apollo, and Kitty The Lion/Admiral Fallow's Joe Rattay at the following places around Scotland in the coming week:
Oct. 11: House show, Stirling
Oct. 12: Cafe Continental, Gourock
Oct. 13: *Surprise Show*, Glasgow (Once they tell me where, I'll tell you)
Oct. 14: Hootenanny, Inverness
Oct. 15: The Newmarket Bar, Thurso
Oct. 16: Brel, Glasgow
Go along, have a drink, clap and cheers and make Katie feel welcome. She might even give you a free CD in a hand made cover if you ask nicely. Facebook users can find gig details here.
Let's get it out of the way right now, as the founding member of De Rosa Martin John Henry is at least partly responsible for two of my favourite albums, Scottish or otherwise, of the last ten years. You can make it three albums if you count the De Rosa Appendices. With that in mind it would be quite a surprise if I didn't like The Other Half of Everything, Martin's debut solo album.
There's no surprises ahead then, I do like the album. Rather a lot in fact. Yeah, ok, let's throw measured critical analysis out of the window (Ha! as if that has ever existed at Aye Tunes!) and get to it, I bloody love this album.
Breathing Space starts the album off in a fairly mellow, gentle style, before Span comes along and quickly lets you know you are in for something a bit different. Span embraces the electro elements of the album, and ends up being something not far off a big disco floor filler. The album continues to switch between mellow and upbeat throughout, blending the acoustic and the electronic beautifully. If you can listen to current single Ribbon on a Bough without your head bobbing check your pulse, you might be dead.
There's not a bad song on this album, although since I've had various version of I Love Map since it popped up on an Off The Beaten Track compilation in 2007 it does by now suffer from over familiarity, and too many highlights to name. Closing track There's a Phantom Hiding In My Loft does deserve a special wee mention though, just because it wraps up an excellent album beautifully.
If like me you find yourself missing De Rosa on regular occasions you owe it to yourself to pick up The Other Half of Everything. It is not just one of my favourite things I've heard this year, it is one of my favourite things I've heard since, well, the second De Rosa album.
If this review was a photograph it would be one of me sitting stroking the album lovingly. I make no apologies. We don't do star rating at Aye Tunes, but Martin John Henry can have five of them anyway.
The Other Half of Everything is released through Gargleblast Records on October 10th. The album is available to pre-order on Bandcamp.
Before that there is a launch gig at Stereo in Glasgow on October 8th (oops, I'm cutting this review a bit fine) with support from Adam Stafford and The Seventeenth Century.
New Fence Records signing The Shivers are heading to the UK shortly for a couple of weeks of gigging. The Shivers are a two piece New York based rock-pop group, and since I liked their new album - available now from Fence Records! - and since one of the gigs is put on by my occasional gig putting on partner Peenko, this is pretty much just a blatant plug for the tour.
First though, here's their new video for album title track More.
You can catch The Shivers around the UK at the following places and dates:
31st Oct - Fence Hallowe'en Party, Wilmington Arms, London, supported by Player Piano & Jinnie Common.
1st Nov - The Cluny, Newcastle, supporting King Creosote & Kid Canaveral.
3rd Nov - Alington House, Durham.
4th Nov - The Tudor House, Wigan.
5th Nov - Fence’s Flamin’ Hott Loggz, Anstruther, Fife. All day event.
7th Nov - Mono, Glasgow, with support from Randolph's Leap & Where We Lay Our Heads.
8th Nov - XOYO, London, supporting Givers.
10th Nov - The Louisianna, Bristol, with support from Player Piano.
11th Nov - South Street Arts, Reading, with support from Player Piano & Barbarossa.
12th Nov - The Hobgoblin, Brighton, with support from Barbarossa
More details and ticket info for all gigs can be found on the Fence website.
For more on The Shivers visit their Facebook, blog, or - again - the Fence website.
Lost in the midst of my gig self promotion last week was this new single from This Silent Forest. It is too good to let pass by without mention, so I'm invoking the good old "better late than never" ruling to mention it this week instead.
Having recently completed the terrifying sounding task of writing and recording a song every day for 30 days - I can't even knock out a blog post a day and this requires no creativity, unlike songwriting - This Silent Forest have a new single out now through Never Make Friends Records.
The Fight is a grand sounding number. A slow build and storytelling lyrics teamed with rich layers of instrumentation build to a huge climax, resulting in a song that is sweeping and epic, without falling into the trap of sounding contrived that can often follow such things. Straddling the pop and modern folk camps, The Fight is pretty excellent really. The single is backed with a couple of alternative versions.
The Fight is available to download from iTunes and Amazon. A remix by Oh You Dancer is also available at iTunes and Amazon. The 30 songs in 30 days can be found on the band's Youtube page.
I don't know, you hear nothing from We're Only Afraid of NYC for about a year then all of a suden you get a flurry of activity.
Back in August the band released Walls as a free download and played King Tuts as part of Rock 'n' Roll Damnation, and this week they have another new single our.
We Lived Here is, as always with We're Only Afraid of NYC, a free download, available now from Bandcamp. Consistently a band that I enjoy, We Lived Here is no change there. Quite downbeat and mellow for the most part, with explosions of furious noise breaking out just when you are sitting comfortably, We Lived Here is another welcome reminder that while We're Only Afraid of NYC might not have been terribly visible for a large chunk of the last year, they haven't been wasting their time.
Poor Things have a wee freebie to offer you. I mentioned this last week while pimping out their gig that was taking place last night, but now the free stuff is available this is a gentle reminder to start downloading and get your virtual paws on some swag.
R U Sitting Comfortably is a three track free download. You can grab it from Bandcamp or from the handily embedded players below.
You can't beat titling your first post of the week like a spam email subject, promising scantily clad European ladies, can you? I'm not talking about that kind of French Wives though, and there's no premium rate phone lines involved.
French Wives are, for those that haven't been paying attention, a band from round these parts. Not French, not wives, but one of my favourites anyway.
Recently the band have been working away on their debut album in the studio with producer Tony Doogan, and now they are ready to share the first fruits of those sessions.
They'll be releasing a single, Numbers, on October 24th, with that debut album to follow early next year.
You can have a wee listen to Numbers below. It is hardly a secret that I'm very fond of the band, so it will come as no surprise that I really like the song. Maybe they'll finally manage to get people to stop calling them folky soon too, since they quite blatantly aren't.
To celebrate the release of Numbers French Wives are going off on a wee tour later this month. You can find them at these places on these dates:
Aberdeen, Drummond’s Cafe - 19/10/11
Glasgow, Mono (Single Launch) - 20/10/11
Edinburgh, The Third Door - 22/10/11
Newcastle, The Tyne Bar - 23/10/11
London, Bull and Gate - 24/10/11
Suport for the Glasgow gig comes from Blochestra and Endor, and tickets are available now here.
They've also gone and got themselves a shiny new website, which you can find at http://frenchwives.co.uk/. Pop over there for more music, videos, and other fun things.
It has been a bit of a hectic week, so I've forgotten to mention half the things I'd meant to. Sneaking this one in just under the wire then, as it takes place tomorrow.
Edinburgh noise mongers Supermarionation have a new EP to launch, and they are doing so with a gig on Saturday. I say noisemongers, but the new EP is actually an acoustic one, so it isn't that noisy. It is good though, so I'll forgive them being quiet.
Hastily assembled to replace what they had planned to release, Amongst the Northern Lochs doesn't sound like it was thrown together. Had I not known that it was put together at short notice I wouldn't have even noticed. The EP will be available to download for free from here.
A limited number of CDs will be available at the launch gig on October 1st. The gig takes place at The Wee Red Bar.Supermarionation will be playing two sets, one acoustic, one with electricity and stuff. Support comes from Lee Patterson and Andrew Mill. Kicking off at 7pm the gig, like the download, is free, so if you are around you can go along at no cost, woo!
Sunday, the traditional day of rest. Staying in bed till lunchtime, filling up on fried food, reading papers, and watching around 10 hours of football. Sunday also tends to be the day I ignore gigs, until they are particularly tempting. Have you ever tried using public transport on a Sunday? It's rubbish. This week has decided to mess my my plans though, by throwing three very tempting gigs at me.
I also have to get up early to help a friend move house, but that part presumably doesn't apply to the rest of you.
At MacSorelys on Sunday we have Dave Hughes and Rob Moir playing. Regular readers should be familiar with Dave's name at the very least, since there was a while he'd pop up in my news round up every week without fail, to the point I started giving him his own section. Dave Hughes is, like Shambles Miller (playing at tomorrow's Aye Tunes gig - you didn't think I'd miss a chance for a plug did you), one of the exemptions from my recent "I'm sick of acoustic guitar playing singers!" rants, since he is so very good at being one of them. Despite The Blackout by Dave Hughes
Rob Moir is likely to be a much less familiar name. Hailing from Canada Rob is currently on a European tour, with a gig at The Wee Red Bar in Edinburgh on Wednesday ahead of this Glasgow one on Sunday. Rob actually got in touch with me in an attempt to put together a gig. That didn't come off, and I ended up putting together tomorrow's Aye Tunes gig (I'll stop with the plugs soon, honest) instead. The little bit of Rob I've heard is very good indeed. This double bill, combining the fact that I keep missing Dave Hughes gigs and am unlikely to get a chance to catch Rob Moir very often, plus free entry, means I'm off to MacSoreleys on Sunday night, albeit probably with sore arms from carrying furniture. This Is The Lie by rob moir
UPDATE: This gig has been cancelled. A wee bit further up the road at Stairway there's a launch gig for the new Trapped In Kansas EP.Trapped In Kansas took less than 24 hours to shift all copies of How To Go in a presale on Saturday, which is always good to hear. The EP gets its full release on Monday October 3rd, having heard a copy I can tell you it is the best work the band have done yet, and I doubt I'll be alone in saying so. Support at the launch gig comes from The Darian Venture, Aspen Tide and Hello Mexico, and tickets cost £5. How To Go EP Sampler by Trapped in Kansas
Meanwhile, a little further to the west of the city, there's a blooming awesome gig on at The Captain's Rest. Poor Things are about to give away a wee free download bundle called R U Sitting Comfortably, and are celebrating it with an eardrum bothering gig. Poor Things have taken my initial doubts about them and rammed them back down throat recently. After winning me round a good bit with their Innocence/18 single a while back I recently saw them twice in the space of a week, and am now fully converted. They are a far better band than I first though, and I'm happy to have been proven wrong. The sneak preview of Festival from R U Sitting Comfortably has me eager to hear the other tracks too.
Joining Poor Things for the gig are the raw but very promising As In Bear, my favourite junkyard popsters Male Pattern Band and Robin Dunne. Festival by POOR THINGS
As well as being a busy week for new records, there's a blooming ton of stuff on too. Almost makes me wish I had some kind of guide to what's on in any given week...
Friday and Saturday of this week sees the second Eastern Promise event take place at Platform in Easterhouse, with a rather excellent line up.
On Friday you can catch:
Tarwater
The Thing
7VWWVW
Withered Hand (Solo)
Nancy Elizabeth
The bill for Saturday looks like this:
To Rococo Rot
The Pastels
Silje Nes
Conquering Animal Sound
Animal Magic Tricks
Told you it was rather excellent. In addition Saturday will host the Scottish Independent Record Fair, making it's second appearance after what was by all accounts a successful first run in Edinburgh in August.
Tickets cost £10 per night or £15 for the weekend, with under 16's going for £3 per night or £5 for the weekend. Doors are at 7pm, and return buses leave Mono at 6:30pm and cost £4 return.
Tickets are available from Monorail, Tickets Scotland and See Tickets.
You can find out more about Platform, including how to get there if you are clueless like me, at the website.
This week sees the release of the first new material from We Were Promised Jetpacks in a good seventeen months, with the single Medicine.
Medicine is taken from the band's second album, In The Pit Of The Stomach, which is released next Monday, backed with a new b-side, Building Buildings.
Medicine is available on 7" and download from Fat Cat, and download from iTunes.
It is a busy wee week for new records, one of those ones that my wallet usually hates. Lucky for me I've been saving up my eMusic credits in anticipation of a few of these releases, so could go on a shopping spree without also going bankrupt. Less helpfully it means I'm writing some of the new release posts before I've actually listened to the record properly, so I can't comment on them very much.
The Quickening is the second album from Remember Remember, and the first with a full band rather than Graeme Ronald handling everything on his own. I've been looking forward to new Remember Remember music since catching the band support Mogwai back in January, and everything I've heard from or about The Quickening since then has just built anticipation. The album is playing in the background as I write this, and so far I'm not disappointed, it sounds gorgeous.
The Quickening is out now on Rock Action Records. Available on CD and LP from HMV, Amazon on CD
or Download, and download from iTunes.
Zoey Van Goey are no strangers to a remix. The flip side of first single Foxtrot Vandals gave me my first taste of Miaoux Miaoux, while the Sweethearts In Disguise single boasted a remix from Chris "Beans" Geddes on the B-side.
Now they are at it again, with a new special remix EP, Sexy Rave Eye Zooming. Anagram fans, get to work.
Getting their paws on some Zoey Van Gooey songs for the release are: We Were Promised Jetpacks, FOUND, Jonnie Common, GRNR, K-Projekt, Gareth Griffiths, OnTheFly, and Miaoux Miaoux.
How can you get your hands on a copy? Well, the CD will ONLY be available at their gig at Stereo in Glasgow this Saturday, so you'll have to go along to get one. As if the lure of seeing Zoey Van Goey and getting a free CD wasn't enough to get you out of the house on Saturday night, support on the night comes from Kid Canaveral, and Zoey Van Goey's set will feature live remixing from GRNR.
If all of that sounds as good to you as it does to me then head down to Stereo on Saturday night. Doors are at half seven, with the first band on at 8pm. Tickets are available from Tickets Scotland here.
More encouragement? Grab a free download of the We Were Promised Jetpacks remix of City Is Exploding.
Shameless self promotion time again!
There's less than a week to go until the next Aye Tunes Presents gig, so here's another attempt to lure you along to The Captains Rest on Wednesday.
Opening up proceedings, and a late addition to an already hastily assembled evening, will be Kevin P. Gilday. Better known to some of you lovely readers as one half of How Garbo Died, Kev will be attempting to channel the spirits of the likes of John Cooper Clarke and Ivor Cutler for a quick spoken word set shortly after doors open, so come along early.
I occasionally have a wee rant at the overabundance of acoustic guitar playing singer/songwriters around at the moment, so it is only fair that I try and balance out my grumbles by highlighting the ones that I like, which Shambles Miller certainly is. Proclaimed as the writer of the best acoustic song about robots (for Robots, funnily enough) Shambles does the punky, folky, politically minded songs that many do, but with a wit and charm that so many of the others lack. Also a keen sandwich enthusiast and film watcher, Shambles recently Photoshopped me into a scene from The Social Network, which I must admit skipped him up a few slots on the "people I want to do a gig for me" list, but it was his songs that got him on the list ion the first place.
I didn't mess up Facebook, don't shout at me.
The Spook School will be carrying on the fine tradition of me seemingly always having an Edinburgh band on my bill, just so I can get to listen to them. With just two songs out there to listen to that might seem unwise, but the regular scouting reports I've been getting from their Edinburgh gigs, particularly from Edinburgh Man, made me really eager to see The Spook School through in Glasgow. Unwilling to wait for their appearance at Glasgow Popfest in December, I opted make them come through myself, which brings us to this, their first Glasgow gig. Taking their name from one of the groups part of The Glasgow School artistic movement, The Spook School have a hefty C86 element to their music, with sweet harmonies, quirky lyrics and jangly guitars all over History, while Hallam has seagulls and ukulele - always a winning combination - planting them firmly up my street. How I'll watch them downstairs while tending the door upstairs in The Captains Rest is another matter, but I'll find a way.
The Sea Kings take elements of rockabilly, disco, americana and folk and fling them all in a blender, coming out with something in the psychobilly ballpark, with their own twist on it. In their own words they "accommodate disco dancers and chin strokers alike", and they even have a song about Bible John for the more morbid. Seems like the Sea Kings should have all bases covered on Wednesday then, eh?
So, that's Aye Tunes Presents: The Sea Kings, The Spook School, Shambles Miller and Kevin P. Gilday then.
The gig takes place at The Captains Rest in Glasgow on Wednesday September 28th, kicking off around 8pm, and costing £5 to get in. You can tell us you are coming on Facebook if you are into that kind of thing.
As with all Aye Tunes gigs I wouldn't be putting this on if I didn't like the bands, and all your money will be going to them, not me.
With the gig guide not really running any more it means I get to ignore some stuff I'm not that interested in, but it also means occasionally I don't properly mention stuff that will be ace. Like this, so it can have a post all of its own instead.
One of my blog buddies The Tidal Wave of Indifference is branching out into putting on gigs, with the first one coming up this weekend. Blogs putting on gigs eh? What a ridiculous idea, that will clearly never catch on.
The first The Tidal Wave of Indifference Presents (a catchy name, might steal that format...) gig takes place on Saturday at The Wee Red Bar in Edinburgh, and looks pretty darn fine. So fine in fact that I've been looking up Google Maps to try and work out if I can make a rare trip through to Edinburgh and get to the gig without getting lost somewhere on The Cowgate.
Headlining affairs are Star Wheel Press, who released their debut album The Life Cycle of a Dying Bird earlier this year to acclaim from the likes of Ian Rankin and Lauren Laverne. If Lauren Laverne likes you then you are generally ok in my book.
French Wives are, of course, on of my favourite bands around. They'll be making a wee escape from the recording studio where they are currently working on their debut album - or possibly playing Grand Theft Auto according to their Twitter feed - for this gig. Hopefully there will be no drunks needing removed from the venue during their set, unlike when I saw them at the 13th Note a few weeks ago.
the douglas firs also released their first album earlier this years, and Happy As a Windless Flag quickly nailed down a position of one of my favourite things I've listened to this year. They are a bit different live than on record, but the best parts of both carry over into each other, and they are well worth catching.
Lost Telegrams are fairly new to my ears. In an odd coincidence I was sitting listening to them on Bandcamp when the announcement came from Stu that they'd be playing at his gig. Their recently released debut EP is pretty swell, and I'm hoping I manage to find my way to the Wee Red to get a good look and listen to them in the flesh.
Tickets are available from Avalanche Records and online for £6, and doors open at 7pm on Saturday, so get down early.
The Twilight Sad's third album, No One Can Ever Know, won't be out until early next year, but you can grab the closing track from the album, Kill it in the Morning, for free right now.
Kill it in the Morning hints at a bit of change in sound for The Twilight Sad, while still retain the atmosphere and hint of menace I tend to associate with them. James Graham's vocals are as spine tingling as always, and work better than I might have expected to over the more industrial sound.
Back in June Lovers Turn To Monsters, or Kyle as he's also known, released his first "proper" album in the shape of Beyond Glasgow Howls. It was really very good, but at the time I forgot to say much about it. It seems only right then that I give a proper mention to the new Lovers Turn To Monsters release then.
Recorded between June and September, Pandas, Hearts, Blankets & Birds is yet more proof that you never have to wait a long time for a new Lovers Turn To Monsters song. Unlike many Kyle seems to produce countless songs a year, and none of them are ever something that feels like it was dashed out in an afternoon to pass some time. The ten songs on Pandas, Hearts, Blankets & Birds are very much in the lo-fi indie pop ilk, and much less polished than a "proper" recording would be, but the home made feel to them holds a certain charm for me. Besides, it isn't as if they sound like they've been recorded in a shed with a cheap tape recorded, the sound is lo-fi, but still sounds fab.
10 tracks of indie pop loveliness then, available to download for free. What more do you want? Crudely recorded samples from The Simpsons you say? Well you're in luck, the album has them too!
Download Pandas, Hearts, Blankets & Birds for free from Bandcamp, or pay next to nothing for a home made CD. While you are there poke around the Bandcamp page a bit more and you'll see what I mean about Lovers Turn To Monsters being prolific, there's a ton of music up there, lots of it for free.
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. The 30 songs in 30 days can be found on the band's Youtube page.
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